 | Directed by | Anthony DiBlasi Cinematography by ~ Austin F. Schmidt Cameras | ARRI ALEXA Camera Lenses | Zeiss Lenses |
Search Results: Alexa | 1848 Titles
Last Shift (2014)
Detektiv Downs (2013)
 | Directed by | Bård Breien Cinematography by ~ Gaute Gunnari Cameras | ARRI ALEXA Camera Lenses | Bausch & Lomb Super Baltar Lenses, Canon K35 Prime Lenses |
The Blacklist (2013)
 | Cameras | Sony PMW-F55 Camera |
When Pigs Have Wings (2011)
 | Directed by | Sylvain Estibal Cinematography by ~ Romain Winding Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
Main courante (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses |
La croisière (2013)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Profilage (2009)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens |
Sister (2012)
 | Directed by | Brenda Davis Cinematography by ~ Alexandra swati Guild Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Le grand soir (2012)
 | Directed by | Benoît Delépine, Gustave Kervern Cinematography by ~ Hugues Poulain Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Dans la cour (2014)
 | Directed by | Pierre Salvadori Cinematography by ~ Gilles Henry Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
La disparition (2012)
 | Directed by | Jean-Xavier de Lestrade Cinematography by ~ Isabelle Razavet Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke Speed Panchro Lenses |
Le coeur des hommes 3 (2013)
 | Directed by | Marc Esposito Cinematography by ~ Pascal Caubère Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens |
Max (2013)
 | Directed by | Roman Wyden Cinematography by ~ Zach Voytas Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
Qu’est-ce qu’on va faire de toi? (2012)
 | Directed by | Jean-Daniel Verhaeghe Cinematography by ~ Marc Falchier Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens |
All About E (2015)
 | Directed by | Louise Wadley Cinematography by ~ Justine Kerrigan Cameras | ARRI ALEXA Camera Lenses | Zeiss Ultra Prime Lenses |
The Heart Machine (2014)
 | Directed by | Zachary Wigon Cinematography by ~ Robert Leitzell Cameras | ARRI ALEXA Camera Lenses | Cooke Varotal Lenses, Zeiss Lenses |
Selfie (2014)
 | Directed by | Cristina Jacob Cinematography by ~ Viorel Sergovici Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera Lenses | Canon EF Series Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses |
Million Dollar Arm (2014)
Impávido (2012)
 | Directed by | Carlos Therón Cinematography by ~ Antonio J. García Cameras | ARRI ALEXA Camera Lenses | Zeiss Ultra Prime Lenses |
