 | Directed by | Osgood Perkins Cinematography by ~ Andres Arochi Cameras | ARRI ALEXA Mini LF Camera, ARRICAM Lite (LT) Camera Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses |
Search Results: Alexa | 1848 Titles
Longlegs (2024)
Red Hook Summer (2012)
 | Directed by | Spike Lee Cinematography by ~ Kerwin DeVonish Cameras | Sony PMW-F3 Camera |
Love Happens (2009)
 | Directed by | Brandon Camp Cinematography by ~ Eric Alan Edwards |
Hall of Fame (2012)
 | Directed by | Bob Scott Cinematography by ~ Brad White |
April Fool’s Day (2008)
 | Directed by | Mitchell Altieri, Phil Flores Cinematography by ~ Michael Maley |
Charming Billy (1999)
 | Directed by | William R. Pace Cinematography by ~ William Newell |
Prometheus (2012)
 | Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | ARRI ALEXA Camera, Red Epic Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses |
Twister (1996)
 | Directed by | Jan de Bont Cinematography by ~ Jack N. Green Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses |
The Absence (2010)
 | Directed by | Alex DeMille Cinematography by ~ Dagmar Weaver-Madsen |
NetForce (1999)
 | Directed by | Robert Lieberman Cinematography by ~ David Hennings |
59 Middle Lane (2012)
 | Directed by | Greg Ammon |
The Deep End of the Ocean (1999)
 | Directed by | Ulu Grosbard Cinematography by ~ Stephen Goldblatt |
The Glimmer Man (1996)
Kill Speed (2010)
 | Directed by | Kim Bass Cinematography by ~ Daniel Bramm, Mark Eberle |
Dreamer: The Movie (2004)
 | Directed by | George A. Johnson Cinematography by ~ George A. Johnson |
Boy Wonder (2010)
 | Directed by | Michael Morrissey Cinematography by ~ Christopher LaVasseur |
Forces spéciales (2011)
 | Directed by | Stéphane Rybojad Cinematography by ~ David Jankowski Cameras | ARRI ALEXA Camera |
Shutter Island (2010)
 | Directed by | Martin Scorsese Cinematography by ~ Robert Richardson Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera Lenses | Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses |
Feast of Love (2007)
 | Directed by | Robert Benton Cinematography by ~ Kramer Morgenthau |
