2D | 5452 Titles
Pop Redemption (2013)
Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Camera
Né quelque part (2013)
Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses
Grigris (2013)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA Camera
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
The French Minister (2013)
Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne
Cameras | ARRI ALEXA Plus Camera
Henry (2012)
Un château en Italie (2013)
Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by | Arnaud des Pallières | Cinematography by | Jeanne Lapoirie | Editing by | Sandie Bompar, Arnaud des Pallières
Lenses | Angenieux HR 25-250 mm T3.5 Lens
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
9 mois ferme (2013)
Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel
Cameras | Red Epic Camera
La Vénus à la fourrure (2013)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier
Cameras | Sony CineAlta F65 Camera
Avant l’hiver (2013)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker
Cameras | ARRI ALEXA Studio Camera
Tirez la langue, mademoiselle (2013)
Directed by | Axelle Ropert | Cinematography by | Céline Bozon | Editing by | François Quiqueré
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Head Over Heels (2012)
Métamorphoses (2014)
Zombeavers (2014)
Directed by | Jordan Rubin | Cinematography by | Jonathan Hall | Editing by | Seth Flaum, Ed Marx
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Healing (2014)
Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens
The Reckoning (2014)
Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Innovators (2014)
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses



















































