North America | 1782 Titles
Mondays at Racine (2012)
Directed by | Cynthia Wade | Cinematography by | David Teague, Cynthia Wade | Editing by | David Teague
Kings Point (2012)
Directed by | Sari Gilman | Cinematography by | Daniel B. Gold, Gabriel Miller, Toby Oppenheimer | Editing by | Jeffrey Friedman
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Alone Yet Not Alone (2013)
Directed by | Ray Bengston, George D. Escobar | Cinematography by | James Suttles | Editing by | M. Scott Smith
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bad Grandpa (2013)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst
Prison Terminal: The Last Days of Private Jack Hall (2013)
Directed by | Edgar Barens | Cinematography by | Edgar Barens | Editing by | Geof Bartz, Gladys Murphy
Cavedigger (2013)
Directed by | Jeffrey Karoff | Cinematography by | Anghel Decca | Editing by | Erin Nordstrom
Cameras | Canon Cameras
August: Osage County (2013)
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Infinitely Polar Bear (2014)
Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Style Lenses
Glen Campbell: I’ll Be Me (2014)
Beyond the Lights (2014)
Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA M Camera
Finding Vivian Maier (2013)
Directed by | John Maloof, Charlie Siskel | Cinematography by | John Maloof | Editing by | Aaron Wickenden
Cameras | Canon EOS Rebel T2i Camera
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
Good Kill (2014)
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
