Motion Picture | 11129 Titles
Alone Yet Not Alone (2013)
Directed by | Ray Bengston, George D. Escobar | Cinematography by | James Suttles | Editing by | M. Scott Smith
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bad Grandpa (2013)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst
The Invisible Woman (2013)
August: Osage County (2013)
Timbuktu (2014)
Directed by | Abderrahmane Sissako | Cinematography by | Sofian El Fani | Editing by | Nadia Ben Rachid
Cameras | ARRI ALEXA Plus Camera
Mandariinid (2013)
Song of the Sea (2014)
Kikaidâ Reboot (2014)
Fishing Without Nets (2014)
Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Infinitely Polar Bear (2014)
Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Style Lenses
Les yeux jaunes des crocodiles (2014)
Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao
Cameras | ARRI ALEXA Camera
L’homme qu’on aimait trop (2014)
Directed by | André Téchiné | Cinematography by | Julien Hirsch | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Camera
Glen Campbell: I’ll Be Me (2014)
Beyond the Lights (2014)
Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA M Camera
Last Days in Vietnam (2014)
Relatos salvajes (2014)
Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron
Leviathan (2014)
Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass
Cameras | ARRIFLEX Camera
Lenses | Zeiss Master Prime Lenses
L’ex de ma vie (2014)
Directed by | Dorothée Sebbagh | Cinematography by | Gilles Porte | Editing by | Laurent Rouan
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Panavision G Series Anamorphic Lenses





































































