Motion Picture | 11129 Titles
Commando (2013)
Directed by | Dilip Ghosh | Cinematography by | Sejal Shah | Editing by | Amitabh Shukla
Lenses | Angenieux Optimo Zoom Lenses
Aashiqui 2 (2013)
Man & Beast (2012)
Directed by | Dante Ariola | Cinematography by | Jeff Cronenweth | Editing by | Andrea MacArthur
Cameras | Canon EOS-C500 Camera
Lenses | Canon EF Series Lenses
Rubinrot (2013)
Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl
Cameras | Red Epic Camera, Red One MX Camera
Canon USA Commercial: Rhythm of Life (2013)
Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Pour Retourner (2014)
Patterson’s Wager (2015)
Directed by | O. Corbin Saleken | Cinematography by | Graham Talbot, Nelson Talbot | Editing by | O. Corbin Saleken
O Tempo e o Vento (2013)
Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani
Cameras | Sony CineAlta F65 Camera
Northpole (2014)
How to Deal with an Axe Murderer (2014)
Directed by | Adam Estey | Cinematography by | Kevin Rigney | Editing by | Holly Pavlik
Cameras | ARRI ALEXA Camera
Bloody Knuckles (2014)
Directed by | Matt O'Mahoney | Cinematography by | Scooter Corkle | Editing by | Scott Belyea, Matt O'Mahoney
Becoming Redwood (2012)
Directed by | Jesse James Miller | Cinematography by | David Crone | Editing by | Charlie Renfrew
Cameras | Red One MX Camera
Lenses | Zeiss Super Speed Lenses
The Good Son: The Life of Ray Boom Boom Mancini (2013)
Directed by | Jesse James Miller | Cinematography by | Ken Johns, Ian Kerr | Editing by | Charlie Renfrew
Cameras | Red One Camera
In Their Skin (2012)
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Chappie (2015)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt
Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Dolphin Tale 2 (2014)
Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock
Cameras | Sony PMW-F55 Camera
Bob and the Trees (2015)
Directed by | Diego Ongaro | Cinematography by | Chris Teague, Daniel Vecchione | Editing by | Benoit Sauvage
Cameras | Blackmagic Pocket Cinema Camera
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
