Motion Picture | 11129 Titles
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
Get on the Bus (1996)
Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales
Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera
8½ (1963)
Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo
Cameras | ARRIFLEX 35 IIC Camera
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Ordinary People (1980) 
Directed by | Robert Redford | Cinematography by | John Bailey | Editing by | Jeff Kanew
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Victor Victoria (1982)
Directed by | Blake Edwards | Cinematography by | Dick Bush | Editing by | Ralph E. Winters
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Lenses
The Zone of Interest (2023)
Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts
Cameras | Sony CineAlta VENICE Camera
Lenses | Leitz M 0.8 Series Lenses
Durval Discos (2002)
The Batman (2022)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson
Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses
The Formula (1980)
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | John Carter
Cameras | Panavision Cameras
The Goodbye Girl (1977)
Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | John F. Burnett
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Natural Vice (2018)
Directed by | Izzy Traub | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr.
Cameras | Sony PXW-FS7 Camera
Lenses | Canon Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Monster Party (2018)
Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom
Cameras | Red Epic Helium Camera
Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Showgirls (1995)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich
Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera
Dìdi (2024)
Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski
Cameras | ARRI Alexa 35 Camera
Julie’s Confession (2021)
Directed by | Franklin Genao | Cinematography by | Franklin Genao | Editing by | Franklin Genao
Cameras | Blackmagic Pocket Cinema 4K Camera
The Kid Detective (2020)
Directed by | Evan Morgan | Cinematography by | Mike McLaughlin | Editing by | Curt Lobb
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
The King Tide (2023)
Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Avengers: Endgame (2019)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera
