Motion Picture | 11129 Titles
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Upside of Anger (2005)
Directed by | Mike Binder | Cinematography by | Richard Greatrex | Editing by | Steve Edwards, Robin Sales
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
Pawn’s Move (2011)
The Works (2005)
Salto, salmiakk og kaffe (2004)
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
Free Willy (1993)
Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown
Lenses | Panavision Primo Anamorphic Lenses
The Night Flier (1997)
Loose End (2009)
Directed by | Damian Morter | Cinematography by | Dan Compton, Christopher Morter | Editing by | Rusty Apper, Damian Morter
Lost in a Crowd (2011)
Directed by | Micah Cohen | Cinematography by | Tarina Van Den Driessche | Editing by | Cari Coughlin
Little Big League (1994)
Veritas, Prince of Truth (2007)
Directed by | Arturo Ruiz-Esparza | Cinematography by | Arturo de la Rosa | Editing by | Todd Jenkins
Digital Darkroom: The Art of 3D (2011)
Directed by | Steven Kochones | Cinematography by | Michael Dwyer, Brian Pearson | Editing by | James Pendorf
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Showtime (2002)
Interludes (2012)
The Perfect Sleep (2009)
Directed by | Jeremy Alter | Cinematography by | Charles Papert | Editing by | Martin Hunter
Cameras | Sony HDW-F900 Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses





















































