Dane Bergerson

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Stereo Editor: Stereo D

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Avengers: Endgame | ShotOnWhat?

Stereo Editor: Stereo D

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Skyscraper | ShotOnWhat?

Stereo Editor: Stereo D

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Predator | ShotOnWhat?

Stereo Editor: Stereo D

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Star Trek Into Darkness | ShotOnWhat?

Stereo Production Assistant: Stereo D

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Act of Valor | ShotOnWhat?

Color Assistant

Act of Valor (2012)

Directed by: Mike McCoy, Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Michael Tronick, Scott Waugh

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Circumstance | ShotOnWhat?

Digital Intermediate Assistant

Circumstance (2011)

Directed by: Maryam Keshavarz

Cinematography by: Brian Rigney Hubbard

Edited by: Andrea Chignoli

I Am Number Four | ShotOnWhat?

Digital Intermediate Assist

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Lincoln Lawyer | ShotOnWhat?

Digital Intermediate Color Assistant

The Lincoln Lawyer (2011)

Directed by: Brad Furman

Cinematography by: Lukas Ettlin

Edited by: Jeff McEvoy

Cameras: Red One MX Camera

Lenses: Panavision Primo Primes Spherical Lenses

Love, Wedding, Marriage | ShotOnWhat?

Digital Intermediate Assistant

Love, Wedding, Marriage (2011)

Directed by: Dermot Mulroney

Cinematography by: Óttar Guðnason

Edited by: Heather Persons

Season of the Witch | ShotOnWhat?

Digital Intermediate Assistant

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

The Conspirator | ShotOnWhat?

Digital Intermediate Assistant

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

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