Max Armstrong

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Room | ShotOnWhat?

Second Assistant Camera

Room (2015)

Directed by: Lenny Abrahamson

Cinematography by: Danny Cohen

Edited by: Nathan Nugent

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Pompeii | ShotOnWhat?

Additional Convergence Puller

Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

Daily Second Assistant Camera

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Mama | ShotOnWhat?

Daily Second Assistant Camera

Mama (2013)

Directed by: Andy Muschietti

Cinematography by: Antonio Riestra

Edited by: Michele Conroy

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Resident Evil: Retribution | ShotOnWhat?

Additional Convergence Puller

Resident Evil: Retribution (2012)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

The Vow | ShotOnWhat?

Assistant Camera

The Vow (2012)

Directed by: Michael Sucsy

Cinematography by: Rogier Stoffers

Edited by: Melissa Kent, Nancy Richardson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Second Assistant Camera

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Take This Waltz | ShotOnWhat?

Second Second Assistant Camera

Take This Waltz (2011)

Directed by: Sarah Polley

Cinematography by: Luc Montpellier

Edited by: Christopher Donaldson

Scott Pilgrim vs. the World | ShotOnWhat?

Second Assistant Camera

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Devil | ShotOnWhat?

Assistant Camera

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

RED | ShotOnWhat?

Camera Loader

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

The Rocker | ShotOnWhat?

Second Assistant Camera

The Rocker (2008)

Directed by: Peter Cattaneo

Cinematography by: Anthony B. Richmond

Edited by: Charles Kaplan, Brad Wilhite

The Invisible | ShotOnWhat?

Pre-vizualization Technician

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

Countdown | ShotOnWhat?

Production Assistant

Countdown (2002)

Directed by: Nathan Morlando

Cinematography by: André Turpin

Edited by: Roderick Deogrades

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