James On-Hong Lee

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The Meg | ShotOnWhat?

Grip Best Boy: China

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Geostorm | ShotOnWhat?

Grip

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Ghost in the Shell | ShotOnWhat?

Bestboy Grip

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Snowden | ShotOnWhat?

Bestboy Grip

Snowden (2016)

Directed by: Oliver Stone

Cinematography by: Anthony Dod Mantle

Edited by: Alex Marquez, Lee Percy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses: Leitz Summicron-C Series Lenses

Transformers: Age of Extinction | ShotOnWhat?

Rigging Grip

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Expendables 2 | ShotOnWhat?

Grip

The Expendables 2 (2012)

Directed by: Simon West

Cinematography by: Shelly Johnson

Edited by: Todd E. Miller

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Johnny English Reborn | ShotOnWhat?

Crane Grip

Johnny English Reborn (2011)

Directed by: Oliver Parker

Cinematography by: Danny Cohen

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera

Lenses: Zeiss Master Prime Lenses

Push | ShotOnWhat?

Second Assistant Camera

Push (2009)

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Dark Knight | ShotOnWhat?

Grip

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

The Heir Apparent: Largo Winch | ShotOnWhat?

Grip Extra

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mission: Impossible III | ShotOnWhat?

Grip

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

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