Digital Intermediate Colorist / Senior Colourist : Cutting Edge
Land of Bad (2024)
Directed by: William Eubank
Cinematography by: Agustin Claramunt
Edited by: Todd E. Miller
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Panavision Primo 70 Lenses
Digital Intermediate Colorist
Upgrade (2018)
Directed by: Leigh Whannell
Cinematography by: Stefan Duscio
Edited by: Andy Canny
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Digital Intermediate Colorist
Predestination (2014)
Cinematography by: Ben Nott
Edited by: Matt Villa
Cameras: ARRI ALEXA Camera
3d Digital Intermediate Lead Colorist, Stereoscopic Finishing Artist
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Film Colorist
Needle (2010)
Directed by: John V. Soto
Cinematography by: Stephen F. Windon
Edited by: Jason Ballantine
Digital Film Colorist
Girl Clock! (2010)
Directed by: Jennifer Ussi
Cinematography by: Nicola Daley
Edited by: Cheryl Potter
Digital Intermediate Colorist: Cutting Edge
Beneath Hill 60 (2010)
Directed by: Jeremy Sims
Cinematography by: Toby Oliver
Edited by: Dany Cooper
Digital Intermediate Colorist
Accidents Happen (2009)
Directed by: Andrew Lancaster
Cinematography by: Ben Nott
Edited by: Roland Gallois
Colorist: HD Preview
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Colorist: Complete Post / Digital Intermediate Colorist: Complete Post, Digital Intermediate Colorist
Lake Mungo (2008)
Directed by: Joel Anderson
Cinematography by: John Brawley
Edited by: Bill Murphy
Digital Grade Colorist
The Jammed (2007)
Directed by: Dee McLachlan
Cinematography by: Peter Falk
Cameras: Sony HVR-Z1U Camera
Colorist: Video Master
The Goddess of 1967 (2000)
Directed by: Clara Law
Cinematography by: Dion Beebe
Edited by: Kate Williams
