Dusty Reeves

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Shazam! | ShotOnWhat?

Art Department Coordinator

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

It | ShotOnWhat?

Art Department Coordinator: Second Unit

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Molly's Game | ShotOnWhat?

Art Department Coordinator

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Suicide Squad | ShotOnWhat?

Art Department Coordinator

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spotlight | ShotOnWhat?

Art Department Coordinator

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Crimson Peak | ShotOnWhat?

Art Department Coordinator

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

RoboCop | ShotOnWhat?

Art Department Coordinator

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

The Best Man Holiday | ShotOnWhat?

Art Department Coordinator

The Best Man Holiday (2013)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Total Recall | ShotOnWhat?

Art Department Coordinator

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dream House | ShotOnWhat?

Art Department Coordinator

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

"The Kennedys" Joe's Revenge | ShotOnWhat?

Art Department Coordinator

'The Kennedys' Joe's Revenge (2011)

Television Episode

Directed by: Jon Cassar

Cinematography by: David Moxness

Edited by: David B. Thompson

The Kennedys | ShotOnWhat?

Art Department Coordinator - 1 Episode, 2011

The Kennedys (2011)

Directed by: Jon Cassar

Cinematography by: David Moxness

Edited by: David B. Thompson, Don Cassidy

Cameras: Sony CineAlta F35 Camera

Max Payne | ShotOnWhat?

Art Department Coordinator

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

The Love Guru | ShotOnWhat?

Art Department Coordinator

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Hairspray | ShotOnWhat?

Art Department Coordinator

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Silent Hill | ShotOnWhat?

Art Department Coordinator

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

A History of Violence | ShotOnWhat?

Art Department Coordinator

A History of Violence (2005)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Recruit | ShotOnWhat?

Art Department Coordinator

The Recruit (2003)

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

The Music Man | ShotOnWhat?

Art Department Coordinator

The Music Man (2003)

Television Movie

Directed by: Jeff Bleckner

Cinematography by: James Chressanthis

Edited by: Bryan M. Horne, Geoffrey Rowland

The Shipping News | ShotOnWhat?

Art Department Coordinator

The Shipping News (2001)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Serendipity | ShotOnWhat?

Art Department Coordinator: Toronto

Serendipity (2001)

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Christopher Greenbury

Bait | ShotOnWhat?

Art Department Coordinator

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

American Psycho | ShotOnWhat?

Research And Clearance Coordinator

American Psycho (2000)

Directed by: Mary Harron

Cinematography by: Andrzej Sekula

Edited by: Andrew Marcus

eXistenZ | ShotOnWhat?

Art Department Coordinator

eXistenZ (1999)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

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