Jill Broadfoot

15 Titles

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Kinds of Kindness | ShotOnWhat?

Set Decoration Buyer

Kinds of Kindness (2024)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Killer | ShotOnWhat?

Set Decoration Buyer

The Killer (2023)

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Logan | ShotOnWhat?

Set Decoration Buyer

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Beguiled | ShotOnWhat?

Set Decoration Buyer

The Beguiled (2017)

Directed by: Sofia Coppola

Cinematography by: Philippe Le Sourd

Edited by: Sarah Flack

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Get Hard | ShotOnWhat?

Set Decoration Buyer

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Trumbo | ShotOnWhat?

Set Decoration Buyer

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

This Is the End | ShotOnWhat?

Set Decoration Buyer

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

12 Years a Slave | ShotOnWhat?

Additional Buyer

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Campaign | ShotOnWhat?

Set Decoration Buyer

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Set Decoration Buyer / Set Decorator: Additional Photography

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Thin Ice | ShotOnWhat?

Set Decorator

Thin Ice (2011)

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

A Serious Man | ShotOnWhat?

Art Department Buyer

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Life During Wartime | ShotOnWhat?

Set Decorator: Minneapolis

Life During Wartime (2009)

Directed by: Todd Solondz

Cinematography by: Edward Lachman

Edited by: Kevin Messman

Arnolds Park | ShotOnWhat?

Production Designer

Arnolds Park (2007)

Directed by: Gene Teigland

Cinematography by: Craig Peterschmidt

Edited by: Gene Teigland

Sweet Land | ShotOnWhat?

Set Decorator

Sweet Land (2005)

Directed by: Ali Selim

Cinematography by: David Tumblety

Edited by: James Stanger

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