Allison Bauserman

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"True Detective" The Long Bright Dark | ShotOnWhat?

Costumer

'True Detective' The Long Bright Dark (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" Seeing Things | ShotOnWhat?

Costumer

'True Detective' Seeing Things (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" The Secret Fate of All Life | ShotOnWhat?

Costumer

'True Detective' The Secret Fate of All Life (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" Who Goes There | ShotOnWhat?

Costumer

'True Detective' Who Goes There (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" The Locked Room | ShotOnWhat?

Costumer

'True Detective' The Locked Room (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" Haunted Houses | ShotOnWhat?

Costumer

'True Detective' Haunted Houses (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" After You've Gone | ShotOnWhat?

Costumer

'True Detective' After You've Gone (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall, Meg Reticker

Dawn of the Planet of the Apes | ShotOnWhat?

Set Costumer

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

"True Detective" Form and Void | ShotOnWhat?

Costumer

'True Detective' Form and Void (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves, Alex Hall, Meg Reticker

True Detective | ShotOnWhat?

Costumer - 8 Episodes, 2014

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

2 Guns | ShotOnWhat?

Key Costumer

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Now You See Me | ShotOnWhat?

Key Costumer: Second Unit

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Campaign | ShotOnWhat?

Costumer

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Contraband | ShotOnWhat?

Ager/dyer

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

21 Jump Street | ShotOnWhat?

Key Costumer

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Green Lantern | ShotOnWhat?

Set Costumer

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Killer Joe | ShotOnWhat?

Set Costumer

Killer Joe (2011)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Darrin Navarro

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Mardi Gras: Spring Break | ShotOnWhat?

Key Set Costumer

Mardi Gras: Spring Break (2011)

Directed by: Phil Dornfeld

Cinematography by: Thomas E. Ackerman

Edited by: Mark Scheib

The Expendables | ShotOnWhat?

Set Costumer

The Expendables (2010)

Directed by: Sylvester Stallone

Cinematography by: Jeffrey L. Kimball

Edited by: Ken Blackwell, Paul Harb

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

12 Rounds | ShotOnWhat?

Set Costumer

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

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