Pascal Chevé

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John Wick: Chapter 4 | ShotOnWhat?

Head Plasterer

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

The Last Duel | ShotOnWhat?

Plasterer Department Head

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

The French Dispatch | ShotOnWhat?

Plaster Department Head

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

At Eternity's Gate | ShotOnWhat?

Head Plasterer

At Eternity's Gate (2018)

Directed by: Julian Schnabel

Cinematography by: Benoît Delhomme

Edited by: Louise Kugelberg, Julian Schnabel

Cameras: Red Helium (Weapon) 8K

Lenses: Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Jackie | ShotOnWhat?

Head Plasterer

Jackie (2016)

Directed by: Pablo Larraín

Cinematography by: Stéphane Fontaine

Edited by: Sebastián Sepúlveda

Cameras: ARRIFLEX 416 Plus Camera

Les yeux jaunes des crocodiles | ShotOnWhat?

Supervising Plasterer

Les yeux jaunes des crocodiles (2014)

Directed by: Cécile Telerman

Cinematography by: Colin Houben, Pascal Ridao

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Supervising Plasterer

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

La Vénus à la fourrure | ShotOnWhat?

Plasterer Supervisor

Venus in Fur (2013)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze, Margot Meynier

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Le passé | ShotOnWhat?

Plasterer

Le passé (2013)

Directed by: Asghar Farhadi

Cinematography by: Mahmoud Kalari

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Camera

RED 2 | ShotOnWhat?

Plasterer Supervisor

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

The Smurfs 2 | ShotOnWhat?

Plasterer Supervisor

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

Amour | ShotOnWhat?

Plasterer

Amour (2012)

Directed by: Michael Haneke

Cinematography by: Darius Khondji

Edited by: Nadine Muse, Monika Willi

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Cloclo | ShotOnWhat?

Supervisor Head Plasterer

Cloclo (2012)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les infidèles | ShotOnWhat?

Plasterer

Les infidèles (2012)

Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche

Cinematography by: Guillaume Schiffman

Edited by: Anny Danché, Julien Leloup

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mon pire cauchemar | ShotOnWhat?

Supervisor Head Plasterer

Mon pire cauchemar (2011)

Directed by: Anne Fontaine

Cinematography by: Jean-Marc Fabre

Edited by: Luc Barnier, Nelly Ollivault

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Lady | ShotOnWhat?

Plasterer: France

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Les émotifs anonymes | ShotOnWhat?

Plasterer

Les émotifs anonymes (2010)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Rien à déclarer | ShotOnWhat?

Supervisor Head Plasterer

Rien à déclarer (2010)

Directed by: Dany Boon

Cinematography by: Pierre Aïm

Edited by: Luc Barnier, Géraldine Rétif

La Rafle | ShotOnWhat?

Supervisor Head Plasterer

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

L'arnacoeur | ShotOnWhat?

Plasterer

L'arnacoeur (2010)

Directed by: Pascal Chaumeil

Cinematography by: Thierry Arbogast

Edited by: Dorian Rigal-Ansous

Fashion Victim | ShotOnWhat?

Supervisor Head Plasterer

Fashion Victim (2009)

Directed by: Gérard Jugnot

Cinematography by: Gérard Simon

Edited by: Catherine Kelber

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Series Lenses

Coco | ShotOnWhat?

Plasterer

Coco (2009)

Directed by: Gad Elmaleh

Cinematography by: Gilles Henry

Micmacs à tire-larigot | ShotOnWhat?

Supervisor Head Plasterer

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Le code a changé | ShotOnWhat?

Plasterer

Le code a changé (2009)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Transporter 3 | ShotOnWhat?

Plasterer

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Les femmes de l'ombre | ShotOnWhat?

Plasterer

Les femmes de l'ombre (2008)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Marie-Pierre Renaud

Faubourg 36 | ShotOnWhat?

Supervisor Head Plasterer

Faubourg 36 (2008)

Directed by: Christophe Barratier

Cinematography by: Tom Stern

Edited by: Yves Deschamps

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Plasterer

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

French Roast | ShotOnWhat?

Co-producer

French Roast (2008)

Directed by: Fabrice Joubert

Edited by: Nicolas Stretta

Tell No One | ShotOnWhat?

Plasterer

Tell No One (2006)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Unleashed | ShotOnWhat?

Plasterer

Unleashed (2005)

Directed by: Louis Leterrier

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

A Very Long Engagement | ShotOnWhat?

Plasterer

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Les rivières pourpres 2 - Les anges de l'apocalypse | ShotOnWhat?

Plasterer

Les rivières pourpres 2 - Les anges de l'apocalypse (2004)

Directed by: Olivier Dahan

Cinematography by: Alex Lamarque

Edited by: Richard Marizy

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