Visual Effects: Rodeo FX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Layout: Rodeo FX
Zack Snyder's Justice League (2021)
Directed by: Zack Snyder
Cinematography by: Fabian Wagner
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Leitz Summilux-C Series Lenses
Matchmove Artist: Rodeo FX - 1 Episode, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Visual Effects
Human (2015)
Directed by: Yann Arthus-Bertrand
Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens
Editing System: Avid Editing System
Visual Effects
Yves Saint Laurent (2014)
Directed by: Jalil Lespert
Cinematography by: Thomas Hardmeier
Edited by: François Gédigier
Visual Effects
Bon rétablissement ! (2014)
Directed by: Jean Becker
Cinematography by: Jean-Claude Larrieu
Cameras: Red Epic Camera
Digital Compositor
Maintenant ou jamais (2014)
Directed by: Serge Frydman
Cinematography by: Pierre-Hugues Galien
Edited by: Céline Kélépikis
Cameras: Red Epic Camera
Visual Effects
Grace of Monaco (2014)
Directed by: Olivier Dahan
Cinematography by: Eric Gautier
Edited by: Olivier Gajan
Visual Effects
The French Minister (2013)
Directed by: Bertrand Tavernier
Cinematography by: Jérôme Alméras
Edited by: Guy Lecorne
Cameras: ARRI ALEXA Plus Camera
Visual Effects
Venus in Fur (2013)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Cameras: Sony CineAlta F65 Camera
Visual Effects
En solitaire (2013)
Directed by: Christophe Offenstein
Cinematography by: Guillaume Schiffman
Cameras: Red Epic Camera, Red Scarlet Camera
Visual Effects
Zulu (2013)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Cameras: ARRI ALEXA Studio Camera
Visual Effects
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Visual Effects
L'homme qui rit (2012)
Directed by: Jean-Pierre Améris
Cinematography by: Gérard Simon
Edited by: Philippe Bourgueil
Cameras: ARRI ALEXA Camera
Visual Effects Artist
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Visual Effects
Day of the Falcon (2011)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Hervé Schneid
Cgi Graphic Artist: Duran Duboi
The Lady (2011)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Matchmove Artist
Case départ (2011)
Cinematography by: Jean-Claude Aumont
Edited by: Frédérique Olszak
Visual Effects: Previz
Les petits mouchoirs (2010)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Sets Modeling: Duran Duboi Paris
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Layout Artist: Duboi / Tracker: Duboi / Visual Effects
Crank: High Voltage (2009)
Cinematography by: Brandon Trost
Visual Effects
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Visual Effects
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Visual Effects
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
