Makeup & Hair Supervisor
All Quiet on the Western Front (2022)
Directed by: Edward Berger
Cinematography by: James Friend
Edited by: Sven Budelmann
Key Make Up: Czech Republic
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Chief Hair Designer
Anthropoid (2016)
Directed by: Sean Ellis
Cinematography by: Sean Ellis
Edited by: Richard Mettler
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Hair Stylist Assistant / Makeup Artist Assistant
Snowpiercer (2013)
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Hair Stylist
A Royal Affair (2012)
Directed by: Nikolaj Arcel
Cinematography by: Rasmus Videbæk
Cameras: ARRICAM Studio (ST) Camera
Lenses: Zeiss Master Prime Lenses
Key Hair Stylist
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Hair Stylist: Prague Second Unit
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Hair Stylist
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Makeup Artist
Tobruk (2008)
Directed by: Václav Marhoul
Cinematography by: Vladimír Smutný
Edited by: Ludek Hudec
Hair Stylist
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Hair Stylist
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
Key Hair Stylist
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Hair Stylist
Oliver Twist (2005)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Assistant Makeup Artist
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
