Music Supervisor
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by: Alejandro G. Iñárritu
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA 65 Camera
Music Supervisor
'Dark' Endings and Beginnings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Roan Densimbor
Music Supervisor
'Dark' The White Devil (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Music Supervisor
'Dark' An Endless Cycle (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Music Supervisor
'Dark' Lost and Found (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Music Supervisor
'Dark' The Travelers (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Music Supervisor
'Dark' Beginnings and Endings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Music Supervisor
'Dark' Ghosts (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Music Supervisor
'Dark' Dark Matter (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Music Supervisor
Roma (2018)
Directed by: Alfonso Cuarón
Cinematography by: Alfonso Cuarón
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime 65 Lenses
Music Supervisor
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Music Supervisor - 18 Episodes, 2017-2019
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Music Supervisor
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Music Supervisor
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Music Supervisor
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Music Supervisor
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Music Supervisor
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Music Supervisor
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Music Supervisor
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Music Supervisor
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Music Supervisor
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Music Supervisor
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Music Supervisor
Complete Unknown (2016)
Directed by: Joshua Marston
Cinematography by: Christos Voudouris
Edited by: Malcolm Jamieson
Music Supervisor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Music Supervisor
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Music Supervisor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Music Supervisor
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Music Supervisor
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Music Supervisor
Miss Bala (2011)
Directed by: Gerardo Naranjo
Cinematography by: Mátyás Erdély
Edited by: Gerardo Naranjo
Music Supervisor
Biutiful (2010)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Music Supervisor
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Music Supervisor
Sin Nombre (2009)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Music Supervisor
Walking Vengeance (2008)
Directed by: Agustín Díaz Yanes
Cinematography by: Paco Femenia
Edited by: José Salcedo
Music Supervisor
Paraiso Travel (2008)
Directed by: Simon Brand
Cinematography by: Rafa Lluch
Edited by: Alberto de Toro
Cameras: ARRI Cameras
Music Supervisor
Máncora (2008)
Directed by: Ricardo de Montreuil
Cinematography by: Leandro Filloy
Edited by: Luis Carballar
Music Supervisor
I'm Gonna Explode (2008)
Directed by: Gerardo Naranjo
Cinematography by: Tobias Datum
Music Supervisor
Sultanes del Sur (2007)
Directed by: Alejandro Lozano
Cinematography by: Juan Jose Saravia
Edited by: Luis de la Madrid
Music Supervisor
Under the Same Moon (2007)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Aleshka Ferrero
Music Supervisor
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Music Supervisor
Innocent Voices (2004)
Directed by: Luis Mandoki
Cinematography by: Juan Ruiz Anchía
Edited by: Aleshka Ferrero
Music Supervisor
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Music Supervisor
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Music Supervisor
Amores Perros (2000)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Cameras: Moviecam Superlight Camera
