Andrew Skeet

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Napoleon | ShotOnWhat?

Orchestrator

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Spider-Man: Into the Spider-Verse | ShotOnWhat?

Conducted By / Orchestrations

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Ocean's Eight | ShotOnWhat?

Orchestrator

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Knights of the Roundtable: King Arthur | ShotOnWhat?

Orchestrator

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Molly's Game | ShotOnWhat?

Orchestrator

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

All the Money in the World | ShotOnWhat?

Orchestrator: And Conductor

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Conductor And Orchestrator

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Steve Jobs | ShotOnWhat?

Score Orchestrated And Conducted By

Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

The Counselor | ShotOnWhat?

Conductor / Orchestrator

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Shadow Dancer | ShotOnWhat?

Conductor

Shadow Dancer (2012)

Directed by: James Marsh

Cinematography by: Rob Hardy

Edited by: Jinx Godfrey

The Awakening | ShotOnWhat?

Conductor / Orchestrator

The Awakening (2011)

Directed by: Nick Murphy

Cinematography by: Eduard Grau

Edited by: Victoria Boydell

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Upstairs Downstairs | ShotOnWhat?

Orchestrator - 1 Episode, 2010

Upstairs Downstairs (2010)

Television Series

Directed by: Euros Lyn, Anthony Byrne, Marc Jobst, Brendan Maher, Saul Metzstein

Cinematography by: Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss

Edited by: Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

"Upstairs Downstairs" The Cuckoo | ShotOnWhat?

Orchestrator

'Upstairs Downstairs' The Cuckoo (2010)

Television Episode

Directed by: Saul Metzstein

Cinematography by: Adam Suschitzky

Edited by: Caroline Limmer

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