Music Editor
'Eye Candy' YOLO (2015)
Directed by: Scott Speer
Cinematography by: David Daniel
Edited by: Geoffrey O'Brien
Music Editor
'Eye Candy' IRL (2015)
Directed by: Nathan Hope
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Music Editor
'Eye Candy' ICU (2015)
Directed by: Nathan Hope
Cinematography by: David Daniel
Edited by: Peter Gvozdas
Music Editor
'Eye Candy' SOS (2015)
Directed by: David Platt
Cinematography by: David Daniel
Edited by: Imelda Betiong
Music Editor
'Eye Candy' BRB (2015)
Directed by: Russell Mulcahy
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Music Editor
'Eye Candy' AMA (2015)
Directed by: David Platt
Cinematography by: David Daniel
Edited by: Geoffrey O'Brien
Music Editor
'Eye Candy' FYEO (2015)
Directed by: Martha Mitchell
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Music Editor - 11 Episodes, 2015
Eye Candy (2015)
Directed by: Nathan Hope, Martha Mitchell, Russell Mulcahy, David Platt, Scott Speer, Catherine Hardwicke
Edited by: Edward R. Abroms, Imelda Betiong, Peter Gvozdas, Geoffrey O'Brien, Gregory Cusumano, Mark Manos, Terel Gibson
Cameras: Canon EOS-C300 Camera
Music Editor
Dope (2015)
Directed by: Rick Famuyiwa
Cinematography by: Rachel Morrison
Edited by: Lee Haugen
Music Editor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Music Editor
Act of Valor (2012)
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Music Editor
Struck by Lightning (2012)
Directed by: Brian Dannelly
Cinematography by: Bobby Bukowski
Edited by: Tia Nolan
Cameras: ARRI ALEXA Camera
Music Editor
American Flyer (2010)
Directed by: Mark Christensen
Cinematography by: Alice Brooks
Edited by: Damien Smith
Cameras: Panavision Cameras
Music Editor
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Music Editor
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Music Editor
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Music Editor
Finish Line (2008)
Directed by: Gerry Lively
Cinematography by: Maximo Munzi
Edited by: Colleen Halsey
Music Editor
Already Dead (2007)
Directed by: Joe Otting
Cinematography by: Eric Trageser
Edited by: Adam Sobocienski
Music Editor
'Eye Candy' Unaired Original Pilot (0)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Terel Gibson
