Andreas Olshausen

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John Wick: Chapter 4 | ShotOnWhat?

Supervising Art Director

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Supervising Art Director

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Unknown | ShotOnWhat?

Supervising Art Director

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mr. Nobody | ShotOnWhat?

Art Director: Germany

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Inglourious Basterds | ShotOnWhat?

Standby Art Director

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Last Station | ShotOnWhat?

Supervising Art Director

The Last Station (2009)

Directed by: Michael Hoffman

Cinematography by: Sebastian Edschmid

Edited by: Patricia Rommel

Editing System: Autodesk Smoke Editing System

Good | ShotOnWhat?

Supervising Art Director

Good (2008)

Directed by: Vicente Amorim

Cinematography by: Andrew Dunn

Edited by: John Wilson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Bourne Ultimatum | ShotOnWhat?

Art Director: Berlin

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Mission: Impossible III | ShotOnWhat?

Art Director: Gemany

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

One Day in Europe | ShotOnWhat?

Production Designer

One Day in Europe (2005)

Directed by: Hannes Stöhr

Cinematography by: Florian Hoffmeister

Edited by: Anne Fabini

Æon Flux | ShotOnWhat?

Art Director

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Beyond the Sea | ShotOnWhat?

Art Director

Beyond the Sea (2004)

Directed by: Kevin Spacey

Cinematography by: Eduardo Serra

Edited by: Trevor Waite

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