Jeffrey A. Wischnack

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Allegiant | ShotOnWhat?

Special Effects Foreman

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Transformers: Age of Extinction | ShotOnWhat?

Special Effects Foreman

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Amazing Spider-Man 2 | ShotOnWhat?

Special Effects Foreman

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Special Effects Foreman

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Priest | ShotOnWhat?

Special Effects Coordinator

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Friends with Benefits | ShotOnWhat?

Special Effects Coordinator

Friends with Benefits (2011)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Lenses: Panavision Primo Anamorphic Lenses

Takers | ShotOnWhat?

Special Effects Supervisor

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Burlesque | ShotOnWhat?

Special Effects Coordinator

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Death at a Funeral | ShotOnWhat?

Special Effects Coordinator

Death at a Funeral (2010)

Directed by: Neil LaBute

Cinematography by: Rogier Stoffers

Edited by: Tracey Wadmore-Smith

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Stepfather | ShotOnWhat?

Special Effects Foreman

The Stepfather (2009)

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Obsessed | ShotOnWhat?

Special Effects Coordinator

Obsessed (2009)

Directed by: Steve Shill

Cinematography by: Ken Seng

Edited by: Paul Seydor

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pineapple Express | ShotOnWhat?

Special Effects Technician

Pineapple Express (2008)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Hancock | ShotOnWhat?

Special Effects Technician

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Yes Man | ShotOnWhat?

Special Effects Foreman / Special Effects

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

Another 48 Hrs. | ShotOnWhat?

Special Effects Technician

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Harlem Nights | ShotOnWhat?

Special Effects Technician

Harlem Nights (1989)

Directed by: Eddie Murphy

Cinematography by: Woody Omens

Edited by: Alan Balsam, George Bowers

The Great Outdoors | ShotOnWhat?

Special Effects

The Great Outdoors (1988)

Directed by: Howard Deutch

Cinematography by: Ric Waite

Edited by: Seth Flaum, William D. Gordean, Tom Rolf

Beetlejuice | ShotOnWhat?

Special Effects

Beetlejuice (1988)

Directed by: Tim Burton

Cinematography by: Thomas E. Ackerman

Edited by: Jane Kurson

Lethal Weapon | ShotOnWhat?

Special Effects

Lethal Weapon (1987)

Directed by: Richard Donner

Cinematography by: Stephen Goldblatt

Edited by: Stuart Baird

Heartbreak Ridge | ShotOnWhat?

Special Effects Technician

Heartbreak Ridge (1986)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Pale Rider | ShotOnWhat?

Special Effects Technician

Pale Rider (1985)

Directed by: Clint Eastwood

Cinematography by: Bruce Surtees

Edited by: Joel Cox

Pee-wee's Big Adventure | ShotOnWhat?

Special Effects Assistant / Special Effects Technician

Pee-wee's Big Adventure (1985)

Directed by: Tim Burton

Cinematography by: Victor J. Kemper

Edited by: Billy Weber

Gremlins | ShotOnWhat?

Special Effects Technician

Gremlins (1984)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Blue Thunder | ShotOnWhat?

Special Effects Technician

Blue Thunder (1983)

Directed by: John Badham

Cinematography by: John A. Alonzo

Edited by: Edward M. Abroms, Frank Morriss

Cameras: Panavision Cameras

Altered States | ShotOnWhat?

Special Effects Technician

Altered States (1980)

Directed by: Ken Russell

Cinematography by: Jordan Cronenweth

Edited by: Eric Jenkins, Jack Harnish

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

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