Dailies Supervisor: Arri
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Dailies Supervisor
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Dailies Supervisor
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Dailies Supervisor
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Dailies Supervisor
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Dailies Supervisor
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Dailies Supervisor
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Dailies Supervisor
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Dailies Supervisor
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Dailies Supervisor
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Dailies Supervisor
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Dailies Supervisor - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Operations And Technology Manager
A Most Wanted Man (2014)
Directed by: Anton Corbijn
Cinematography by: Benoît Delhomme
Edited by: Claire Simpson
Cameras: ARRI ALEXA M Camera
Lenses: Zeiss Super Speed Lenses
Rushes Laboratory: ARRI Film & TV Services Berlin
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Dailies Coordinator
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Digital Dailies Project Manager
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Assistant Editor: ARRI Film & TV
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
