Christopher Lucas Maw

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The Batman | ShotOnWhat?

Visual Effects Production Assistant

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Avengers: Endgame | ShotOnWhat?

Digital Compositor: Double Negative

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ready Player One | ShotOnWhat?

Digital Compositor: Territory Studios

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Fast 8 | ShotOnWhat?

Compositor: Territory Studio

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Stereoscopic Compositor

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Maleficent | ShotOnWhat?

Stereoscopic Compositor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Sin City: A Dame to Kill For | ShotOnWhat?

Stereo Compositor

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Edge of Tomorrow | ShotOnWhat?

Stereoscopic Compositor

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Seventh Son | ShotOnWhat?

Stereo Compositor

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Guardians of the Galaxy | ShotOnWhat?

Stereo Compositor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Kingsman: The Secret Service | ShotOnWhat?

Prep Artist

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Stereoscopic Compositor: Prime Focus World

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

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