Brian Drewes

19 Titles

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The Spy Who Dumped Me | ShotOnWhat?

Visual Effects

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Creed II | ShotOnWhat?

Visual Effects Producer

Creed II (2018)

Directed by: Steven Caple Jr.

Cinematography by: Kramer Morgenthau

Edited by: Dana E. Glauberman, Saira Haider, Paul Harb

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Lenses, Zeiss Master Prime Lenses

Thoroughbreds | ShotOnWhat?

Visual Effects Producer

Thoroughbreds (2017)

Directed by: Cory Finley

Cinematography by: Lyle Vincent

Edited by: Louise Ford

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Roman J. Israel, Esq. | ShotOnWhat?

Visual Effects

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Ghostbusters | ShotOnWhat?

Visual Effects Producer

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

The Ridiculous 6 | ShotOnWhat?

Visual Effects Producer

The Ridiculous 6 (2015)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Tom Costain

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Southpaw | ShotOnWhat?

Visual Effects Executive Producer: Zero VFX

Southpaw (2015)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Equalizer | ShotOnWhat?

Visual Effects Producer

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Interview | ShotOnWhat?

Visual Effects Producer

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Fury | ShotOnWhat?

Visual Effects Producer

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sex Tape | ShotOnWhat?

Visual Effects Producer

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

American Hustle | ShotOnWhat?

Visual Effects Executive Producer: Zero

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

The Way Way Back | ShotOnWhat?

Visual Effects Executive Producer: Zero VFX

The Way Way Back (2013)

Directed by: Nat Faxon, Jim Rash

Cinematography by: John Bailey

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

Project X | ShotOnWhat?

Visual Effects Producer

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

Here Comes the Boom | ShotOnWhat?

Visual Effects Producer

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hall Pass | ShotOnWhat?

Visual Effects Producer

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Zookeeper | ShotOnWhat?

Visual Effects Producer: Zero VFX

Zookeeper (2011)

Directed by: Frank Coraci

Cinematography by: Michael Barrett

Edited by: Scott Hill

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Town | ShotOnWhat?

On-set Visual Effects Producer

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Surrogates | ShotOnWhat?

Visual Effects Producer

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

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