Daryl Ziemke

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Man of Steel | ShotOnWhat?

Set Dresser: Illinois

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Transformers: Dark of the Moon | ShotOnWhat?

Set Dresser: Chicago

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

A Nightmare on Elm Street | ShotOnWhat?

Greensman

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Unborn | ShotOnWhat?

Gang Boss

The Unborn (2009)

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Horsemen | ShotOnWhat?

Gang Boss: Additional Photography

Horsemen (2009)

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

The Promotion | ShotOnWhat?

Swing Gang

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Stranger Than Fiction | ShotOnWhat?

Swing Gang

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Proof | ShotOnWhat?

Swing Gang: Chicago

Proof (2005)

Directed by: John Madden

Cinematography by: Alwin H. Küchler

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Editing System: Lightworks Editing System

Road to Perdition | ShotOnWhat?

Swing Gang

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Mercury Rising | ShotOnWhat?

Set Dresser: Chicago

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Hoodlum | ShotOnWhat?

Cable

Hoodlum (1997)

Directed by: Bill Duke

Cinematography by: Frank Tidy

Edited by: Harry Keramidas

Cameras: Panavision Cameras

Primal Fear | ShotOnWhat?

Utility Sound: Chicago

Primal Fear (1996)

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Ultra Speed MKII Lenses

Chain Reaction | ShotOnWhat?

Set Dresser

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

The Fugitive | ShotOnWhat?

Cableman

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Rudy | ShotOnWhat?

Cable Person

Rudy (1993)

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

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