Rose Garnett

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Triangle of Sadness | ShotOnWhat?

Executive Producer

Triangle of Sadness (2022)

Directed by: Ruben Östlund

Cinematography by: Fredrik Wenzel

Edited by: Mikel Cee Karlsson, Ruben Östlund

Cameras: ARRI ALEXA LF Camera, Red Gemini Camera, Red Helium 8K Camera

Lenses: Zeiss Supreme Prime Series Lenses

The Power of the Dog | ShotOnWhat?

Executive Producer

The Power of the Dog (2021)

Directed by: Jane Campion

Cinematography by: Ari Wegner

Edited by: Peter Sciberras

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Fujinon Alura Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Favourite | ShotOnWhat?

Executive Producer

The Favourite (2018)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

American Honey | ShotOnWhat?

Executive Producer

American Honey (2016)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Joe Bini

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Carol | ShotOnWhat?

Head Of Editorial: Film4

Carol (2015)

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Affonso Gonçalves

Cameras: ARRIFLEX 416 Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Room | ShotOnWhat?

Executive Producer

Room (2015)

Directed by: Lenny Abrahamson

Cinematography by: Danny Cohen

Edited by: Nathan Nugent

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

'71 | ShotOnWhat?

Head Of Development: Film4

'71 (2014)

Directed by: Yann Demange

Cinematography by: Tat Radcliffe

Edited by: Chris Wyatt

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses: Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Mr. Turner | ShotOnWhat?

Head Of Development: Film4

Mr. Turner (2014)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jon Gregory

Cameras: ARRI ALEXA Plus Camera, Canon EOS-C500 Camera

Lenses: Cooke Speed Panchro Lenses

Ex Machina | ShotOnWhat?

Head Of Development: Film4

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

Under the Skin | ShotOnWhat?

Head Of Development: Film4

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

Angels Crest | ShotOnWhat?

Associate Producer, Story Editor

Angels Crest (2011)

Directed by: Gaby Dellal

Cinematography by: David Johnson

Edited by: Mick Audsley, Giles Bury

Black Swan | ShotOnWhat?

Associate Producer

Black Swan (2010)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Zeiss Ultra 16 Lenses

Editing System: Avid Editing System

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