Visual Effects Stage Manager
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Camera Department Head
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Department Head
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Camera Department Head
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Lighting Camera Supervisor
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Special Effects Stage Supervisor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Camera Department Head / Camera Department Supervisor
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Camera Department Supervisor
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Camera Department Head
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Camera Department Supervisor
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Camera Department Head
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Line Producer
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Visual Effects Production Head
Live Wire (1992)
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Visual Effects Production Head
Dragnet (1987)
Directed by: Tom Mankiewicz
Cinematography by: Matthew F. Leonetti