Romain Rico

17 Titles

Is this you? Add a Profile

Compositing Supervisor

Paddington 2 (2017)

Motion Picture

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Lead Compositor

Geostorm (2017)

Motion Picture

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Lead Compositor / Lead Compositor: Framestore

Fantastic Beasts and Where to Find Them (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lead Compositor

Pan (2015)

Motion Picture

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Digital Compositor

RoboCop (2014)

Motion Picture

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lead Compositor

Paddington (2014)

Motion Picture

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Digital Compositor

Dracula Untold (2014)

Motion Picture

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Digital Compositor

Edge of Tomorrow (2014)

Motion Picture

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Digital Compositor: Modus FX

This Is the End (2013)

Motion Picture

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Previs Artist

Astérix and Obélix: God Save Britannia (2012)

Motion Picture

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Digital Artist: BUF

Total Recall (2012)

Motion Picture

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Artist: BUF

Monte Carlo (2011)

Motion Picture

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Visual Effects Artist

The Darkest Hour (2011)

Motion Picture

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

CG Artist: BUF

Arthur 3: la guerre des deux mondes (2010)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Astérix aux jeux olympiques | ShotOnWhat?

Cg Artist

Astérix aux jeux olympiques (2008)

Motion Picture

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Cg Artist

Hannibal Rising (2007)

Motion Picture

Directed by: Peter Webber

Cinematography by: Ben Davis

Edited by: Valerio Bonelli, Pietro Scalia

Cg Artist

The Last Legion (2007)

Motion Picture

Directed by: Doug Lefler

Cinematography by: Marco Pontecorvo

Edited by: Simon Cozens

20254.20

Romain Rico

You need to login or create an account to link to credits

Login

Don't have an account yet?

Compositing Supervisor

Paddington 2 (2017)

Lead Compositor

Geostorm (2017)

Lead Compositor / Lead Compositor: Framestore

Fantastic Beasts and Where to Find Them (2016)

Lead Compositor

Pan (2015)

Digital Compositor

RoboCop (2014)

Lead Compositor

Paddington (2014)

Digital Compositor

Dracula Untold (2014)

Digital Compositor

Edge of Tomorrow (2014)

Digital Compositor: Modus FX

This Is the End (2013)

Previs Artist

Astérix and Obélix: God Save Britannia (2012)

Digital Artist: BUF

Total Recall (2012)

Visual Effects Artist: BUF

Monte Carlo (2011)

Visual Effects Artist

The Darkest Hour (2011)

CG Artist: BUF

Arthur 3: la guerre des deux mondes (2010)

Cg Artist

Astérix aux jeux olympiques (2008)

Cg Artist

Hannibal Rising (2007)

Cg Artist

The Last Legion (2007)

Recently Updated