Stand-in
Casa de mi Padre (2012)
Directed by: Matt Piedmont
Cinematography by: Ramsey Nickell
Edited by: David Trachtenberg
Cameras: Panavision Panaflex Gold II Camera
Stand-in
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Stand-in
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Stand-in
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Stand-in - 1 Episode, 2013
Drop Dead Diva (2009)
Directed by: Michael Grossman, Robert J. Wilson, Jamie Babbit, Bethany Rooney, Michael Lange, Dwight H. Little, David Petrarca, Kevin Hooks, J. Miller Tobin, Michael Schultz, Melanie Mayron, Ron Underwood, Tim Matheson, Matthew Hastings, James Hayman, Lawrence Trilling, Kevin Dowling, Rick Rosenthal, Arlene Sanford, John Terlesky, David Warren, Martha Coolidge, Augie Hess, John Murray, David Grossman
Edited by: Augie Hess, Tirsa Hackshaw, John Murray, Noah Pontell, Justin Bourret, Thomas R. Moore, Jim Page, J. Scott Harvey
Cameras: Panavision Genesis Camera
Stand-in
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Stand-in
Nobel Son (2007)
Directed by: Randall Miller
Cinematography by: Mike Ozier
Edited by: Randall Miller
Stand-in
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Waitress
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Stand-in
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
