Tedd Underwood

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Greyhound | ShotOnWhat?

Assistant Chief Lighting Technician

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

The Beguiled | ShotOnWhat?

Best Boy Rigging Electric

The Beguiled (2017)

Directed by: Sofia Coppola

Cinematography by: Philippe Le Sourd

Edited by: Sarah Flack

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Mudbound | ShotOnWhat?

Rigging Electric Best Boy

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Bad Moms | ShotOnWhat?

Assistant Chief Rigging Electrician

Bad Moms (2016)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Jim Denault

Edited by: Emma E. Hickox, James Thomas

Trumbo | ShotOnWhat?

Electric

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pitch Perfect 2 | ShotOnWhat?

Set Lighting Technician

Pitch Perfect 2 (2015)

Directed by: Elizabeth Banks

Cinematography by: Jim Denault

Edited by: Craig Alpert

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Olympus Has Fallen | ShotOnWhat?

Electrician

Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Percy Jackson: Sea of Monsters | ShotOnWhat?

Set Lighting Technician: Louisiana

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Snitch | ShotOnWhat?

Lighting Technician

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Playing for Keeps | ShotOnWhat?

Best Boy Electric

Playing for Keeps (2012)

Directed by: Gabriele Muccino

Cinematography by: Peter Menzies Jr.

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

A Little Bit of Heaven | ShotOnWhat?

Lamp Operator

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Straw Dogs | ShotOnWhat?

Best Boy Electric

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Jonah Hex | ShotOnWhat?

Lighting Technician

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Super | ShotOnWhat?

Best Boy Electrician

Super (2010)

Directed by: James Gunn

Cinematography by: Steve Gainer

Edited by: Cara Silverman

Cameras: Red One Camera

Editing System: Avid Editing System

Skateland | ShotOnWhat?

Electrician

Skateland (2010)

Directed by: Anthony Burns

Cinematography by: Peter Simonite

Edited by: Robert Hoffman

Youth in Revolt | ShotOnWhat?

Electrician: Additional Photography

Youth in Revolt (2009)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Andy Keir, Pamela Martin

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

The Great Debaters | ShotOnWhat?

Balloon Technician

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bug | ShotOnWhat?

Electric

Bug (2006)

Directed by: William Friedkin

Cinematography by: Michael Grady

Edited by: Darrin Navarro

The Dukes of Hazzard | ShotOnWhat?

Electrician

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

Venom | ShotOnWhat?

Electrician

Venom (2005)

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

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