Nicholas J. Cazares

19 Titles

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The Batman | ShotOnWhat?

Music Preparation

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

The Last Duel | ShotOnWhat?

Music Copyist

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

8-Bit Christmas | ShotOnWhat?

Music Preparation

8-Bit Christmas (2021)

Directed by: Michael Dowse

Cinematography by: Samy Inayeh

Edited by: Trevor Ambrose

Us | ShotOnWhat?

Music Preparation

Us (2019)

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Green Book | ShotOnWhat?

Music Preparation / Orchestrator

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Christopher Robin | ShotOnWhat?

Music Preparation / Orchestrator

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Incredibles 2 | ShotOnWhat?

Music Preparation

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Ralph Breaks the Internet | ShotOnWhat?

Music Preparation / Orchestrator

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Bad Times at the El Royale | ShotOnWhat?

Music Preparation

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Predator | ShotOnWhat?

Music Preparation / Orchestrator

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Game Night | ShotOnWhat?

Music Preparation

Game Night (2018)

Directed by: John Francis Daley, Jonathan Goldstein

Cinematography by: Barry Peterson

Edited by: David Egan, Jamie Gross, Gregory Plotkin

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses: Cooke S4/i Lenses

Transformers: The Last Knight | ShotOnWhat?

Geostorm | ShotOnWhat?

Music Preparation

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Coco | ShotOnWhat?

Music Preparation

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

It | ShotOnWhat?

Music Preparation

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spider-Man: Homecoming | ShotOnWhat?

Music Preparation

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

War for the Planet of the Apes | ShotOnWhat?

Music Preparation

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Dunkirk | ShotOnWhat?

Music Preparation

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Too Saved | ShotOnWhat?

Composer

Too Saved (2007)

Directed by: Shuaib Muhammed Kedar, Shuaib Mitchell

Cinematography by: Parrish Smith

Edited by: Joycelyn D. Ward

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