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Ford v Ferrari | ShotOnWhat?

Producer - Produced By - P.g.a.

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Red Sparrow | ShotOnWhat?

Producer - Produced By

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Producer - Produced By - P.g.a.

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

War for the Planet of the Apes | ShotOnWhat?

Executive Producer

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Spy | ShotOnWhat?

Producer

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Dawn of the Planet of the Apes | ShotOnWhat?

Executive Producer

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

St. Vincent | ShotOnWhat?

Producer

St. Vincent (2014)

Directed by: Theodore Melfi

Cinematography by: John Lindley

Edited by: Sarah Flack, Peter Teschner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Producer

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Heat | ShotOnWhat?

Producer

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Seeking Justice | ShotOnWhat?

Executive Producer

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Country Strong | ShotOnWhat?

Producer

Country Strong (2010)

Directed by: Shana Feste

Cinematography by: John Bailey

Edited by: Carol Littleton, Conor O'Neill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Charlie's Angels: Full Throttle | ShotOnWhat?

Executive Producer

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

I Spy | ShotOnWhat?

Producer

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Charlie's Angels | ShotOnWhat?

Executive Producer

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

28 Days | ShotOnWhat?

Producer

28 Days (2000)

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Doctor Dolittle | ShotOnWhat?

Executive Producer

Doctor Dolittle (1998)

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Can't Hardly Wait | ShotOnWhat?

Producer

Can't Hardly Wait (1998)

Directed by: Harry Elfont, Deborah Kaplan

Cinematography by: Lloyd Ahern II

Edited by: Michael Jablow

The Brady Bunch Movie | ShotOnWhat?

Co-producer

The Brady Bunch Movie (1995)

Directed by: Betty Thomas

Cinematography by: Mac Ahlberg

Edited by: Peter Teschner

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