Sound Designer - Segment "I Travelled 9000 Km To Give It To You"
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence (2007)
Directed by: Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang
Cinematography by: Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao
Sound Designer
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Sound Designer - Segment "The Hand"
Eros (2004)
Supervising Sound Designer
2046 (2004)
Directed by: Kar-Wai Wong
Edited by: William Chang
Cameras: Panavision Panaflex Gold II Camera
Supervising Sound Designer
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Sound Effects Editor, Supervising Sound Designer
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Sound Designer
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Sound Designer
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Designer
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Supervising Sound Designer
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Composer: Additional Music , Supervising Sound Designer
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Sound Supervisor / Supervising Sound Designer
The Last Days (1998)
Directed by: James Moll
Cinematography by: Harris Done
Edited by: James Moll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Ethnomusicologist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Consultant: Musical Score
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Designer
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
