Set Lighting Technician
'Key and Peele' Y'all Ready for This? (2015)
Directed by: Peter Atencio
Cinematography by: Charles Papert
Edited by: Nicholas Monsour
Set Lighting Technician
'Key and Peele' Severed Head Showcase (2015)
Cinematography by: Charles Papert
Set Lighting Technician
'Key and Peele' Killer Concept Album (2015)
Cinematography by: Charles Papert
Set Lighting Technician
'Key and Peele' The Job Interview (2015)
Cinematography by: Charles Papert
Edited by: Nicholas Monsour
Set Lighting Technician
'Key and Peele' MC Mom (2015)
Directed by: Peter Atencio
Cinematography by: Charles Papert
Lighting Technician
'Key and Peele' Hollywood Sequel Doctor (2015)
Cinematography by: Charles Papert
Edited by: Nicholas Monsour
Lighting Technician
'Key and Peele' The 420 Special (2015)
Directed by: Peter Atencio
Cinematography by: Charles Papert
Edited by: Nicholas Monsour
Lighting Technician
'Key and Peele' Meegan and Andre Break Up (2015)
Cinematography by: Charles Papert
Edited by: Phil Davis
Rigging Electrician
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Lighting Technician
'Key and Peele' The End (2015)
Directed by: Peter Atencio
Cinematography by: Charles Papert
Rigging Electric / Set Lighting Technician
'The Mentalist' Forest Green (2014)
Directed by: Eric Laneuville
Cinematography by: Geary McLeod
Rigging Electrian
'Pretty Little Liars' EscApe from New York (2014)
Directed by: Norman Buckley
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Set Lighting Technician
'The Mentalist' Grey Water (2014)
Directed by: Geary McLeod
Edited by: Christopher Cibelli
Rigging Electric
'The Mentalist' Brown Eyed Girls (2014)
Directed by: Sylvain White
Cinematography by: Tom Camarda
Edited by: David Ekstrom
Rigging Electric
'The Mentalist' Il Tavolo Bianco (2014)
Directed by: W. Thomas Snyder
Cinematography by: Geary McLeod
Edited by: Christopher Cibelli
Additional Best Boy Electric
Altergeist (2014)
Directed by: Tedi Sarafian
Cinematography by: Aaron Heck
Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Editing System: Final Cut Pro Editing System
Cinematographer
The Forgotten King (2013)
Directed by: Nikoloz Khomasuridze
Cinematography by: Igor Tochilnikov
Set Lighting Technician / Lighting Technician - 10 Episodes, 2015
Key and Peele (2012)
Cinematography by: Charles Papert
Edited by: Christian Hoffman, Adam Lichtenstein, Richard LaBrie, Nicholas Monsour, Maura Corey, Phil Davis, Justin Donaldson, Neil Mahoney, Bryan Shelton, Stephen Waichulis
Cameras: ARRI ALEXA XT Camera, Sony PMW-F3 Camera
Chief Lighting Technician
Battlefield America (2012)
Directed by: Chris Stokes
Cinematography by: Miko Dannels
Key Grip
Like Crazy (2011)
Directed by: Drake Doremus
Cinematography by: John Guleserian
Edited by: Jonathan Alberts
Cameras: Canon EOS-7D Camera
Lenses: Zeiss Ultra Prime Lenses
Rigging Electrian - 1 Episode, 2014
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Grip
Kaboom (2010)
Directed by: Gregg Araki
Cinematography by: Sandra Valde-Hansen
Edited by: Gregg Araki
Key Grip
The Grover Complex (2010)
Directed by: Karen Bullis
Cinematography by: Shweta Chanda
Edited by: Michael Darrow
Rigging Electric / Set Lighting Technician - 5 Episodes, 2013-2014
The Mentalist (2008)
Directed by: Chris Long, Eric Laneuville, John F. Showalter, Charles Beeson, Randy Zisk, David Barrett, John Polson, Simon Baker, Guy Ferland, Geary McLeod, Martha Mitchell, Norberto Barba, Lesli Linka Glatter, Roxann Dawson, Tom Verica, Elodie Keene, Robert Duncan McNeill, David Nutter, Adam Kane, Stephen Gyllenhaal, Bobby Roth, Anton Cropper, W. Thomas Snyder, James Hayman, Paris Barclay, Matt Earl Beesley, John Behring, Kevin Dowling, Rod Hardy, Paul Holahan, Dean White, Bill D'Elia, Dan Lerner, Darnell Martin, Bruno Heller, Kevin Hooks, David Von Ancken, Allison Anders, Tawnia McKiernan, David Paymer, Bill Eagles, Michael Nankin, J. Miller Tobin, Sylvain White, Rod Holcomb, Paul A. Kaufman, Nina Lopez-Corrado, Edward Ornelas
Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe
