Robert Huberman

22 Titles

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The Hustle | ShotOnWhat?

Line Producer: Mallorca

The Hustle (2019)

Directed by: Chris Addison

Cinematography by: Michael Coulter

Edited by: Anthony Boys

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens

Risen | ShotOnWhat?

Executive Producer, Production Manager

Risen (2016)

Directed by: Kevin Reynolds

Cinematography by: Lorenzo Senatore

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Camera

The Way Back | ShotOnWhat?

First Assistant Director, Line Producer: India, Unit Production Manager

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

State of Play | ShotOnWhat?

Unit Production Manager

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Disturbia | ShotOnWhat?

Unit Production Manager

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Tristan + Isolde | ShotOnWhat?

First Assistant Director

Tristan + Isolde (2006)

Directed by: Kevin Reynolds

Cinematography by: Arthur Reinhart

Edited by: Peter Boyle

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Count of Monte Cristo | ShotOnWhat?

First Assistant Director

The Count of Monte Cristo (2002)

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

The Perfect Storm | ShotOnWhat?

First Assistant Director: Second Unit

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Thirteen Days | ShotOnWhat?

First Assistant Director

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Sphere | ShotOnWhat?

First Assistant Director

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

The Truman Show | ShotOnWhat?

Assistant Director: Second Unit

The Truman Show (1998)

Directed by: Peter Weir

Cinematography by: Peter Biziou

Edited by: William M. Anderson, Lee Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Most Wanted | ShotOnWhat?

First Assistant Director: Second Unit

Most Wanted (1997)

Directed by: David Hogan

Cinematography by: Marc Reshovsky

Edited by: Michael J. Duthie, Mark Helfrich

Cameras: Panavision Cameras

Waterworld | ShotOnWhat?

Second Assistant Director

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Two Bits | ShotOnWhat?

Second Assistant Director

Two Bits (1995)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Get Shorty | ShotOnWhat?

Second Assistant Director

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Clear and Present Danger | ShotOnWhat?

Second Assistant Director

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Fearless | ShotOnWhat?

Second Second Assistant Director

Fearless (1993)

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

Consenting Adults | ShotOnWhat?

Second Second Assistant Director

Consenting Adults (1992)

Directed by: Alan J. Pakula

Cinematography by: Stephen Goldblatt

Edited by: Sam O'Steen

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A League of Their Own | ShotOnWhat?

Second Second Assistant Director

A League of Their Own (1992)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Adam Bernardi, George Bowers

Cameras: Panavision Cameras

Lenses: Panavision Lenses

For the Boys | ShotOnWhat?

Second Second Assistant Director

For the Boys (1991)

Directed by: Mark Rydell

Cinematography by: Stephen Goldblatt

Edited by: Gerald B. Greenberg, Jere Huggins

Green Card | ShotOnWhat?

Dga Trainee

Green Card (1990)

Directed by: Peter Weir

Cinematography by: Geoffrey Simpson

Edited by: William M. Anderson

Crimes and Misdemeanors | ShotOnWhat?

Dga Trainee

Crimes and Misdemeanors (1989)

Directed by: Woody Allen

Cinematography by: Sven Nykvist

Edited by: Susan E. Morse

Cameras: Panavision Cameras

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