Brian Hamblin

12 Titles

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Alice in Wonderland | ShotOnWhat?

Editorial Technical Manager: SPI

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Editorial Technical Manager: SPI

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Watchmen | ShotOnWhat?

Editorial Technical Manager: SPI

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Valkyrie | ShotOnWhat?

Editorial Technical Production Manager: Sony Pictures Imageworks

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Hancock | ShotOnWhat?

Editorial Production Manager: SPI

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Body of Lies | ShotOnWhat?

Editorial Technical Manager: SPI

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Editorial Technical Manager: SPI

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Spider-Man 3 | ShotOnWhat?

Editorial Production Manager: SPI

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

I Am Legend | ShotOnWhat?

Editorial Technical Manager: SPI

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Beowulf | ShotOnWhat?

Editorial Technical Production Manager: SPI

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Surf's Up | ShotOnWhat?

Technical Manager: SPI

Surf's Up (2007)

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

The Big Red One | ShotOnWhat?

Post-production Supervisor - Reconstruction

The Big Red One (1980)

Directed by: Samuel Fuller

Cinematography by: Adam Greenberg

Edited by: Bryan McKenzie, Morton Tubor

Cameras: ARRIFLEX Camera

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