Jeffrey White

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Dolphin Tale | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Glory Road | ShotOnWhat?

Visual Effects Producer: Pre-production, Flash Film Works

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Dark Water | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Into the Blue | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Into the Blue (2005)

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

Elizabethtown | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Sideways | ShotOnWhat?

Visual Effects Producer

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Italian Job | ShotOnWhat?

Visual Effects Producer: Flash Film Works

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Holes | ShotOnWhat?

Visual Effects Producer

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

The Last Samurai | ShotOnWhat?

Visual Effects Producer: Flash Film Works

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Duplex | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Collateral Damage | ShotOnWhat?

Visual Effects Producer

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

Red Planet | ShotOnWhat?

Visual Effects Producer: Flash Film Works

Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

Tale of the Mummy | ShotOnWhat?

Line Producer

Tale of the Mummy (1998)

Directed by: Russell Mulcahy

Cinematography by: Gabriel Beristain

Edited by: Armen Minasian

Flipper | ShotOnWhat?

Post-production Supervisor

Flipper (1996)

Directed by: Alan Shapiro

Cinematography by: Bill Butler

Edited by: Peck Prior

The River | ShotOnWhat?

Production Assistant

The River (1984)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Sidney Levin

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