Visual Effects Supervisor
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Snow Effects Design, Visual Effects Supervisor
Resistance (2011)
Directed by: Amit Gupta
Cinematography by: John Pardue
Edited by: Chris Barwell
On-set Visual Effects Supervisor / Visual Effects Supervisor
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Visual Effects Supervisor: Additional Visual Effects, MfM Molinare
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Visual Effects Supervisor
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Visual Effects Supervisor
Easy Virtue (2008)
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
Visual Effects Producer
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Visual Effects Supervisor
Mister Lonely (2007)
Directed by: Harmony Korine
Cinematography by: Marcel Zyskind
Visual Effects Supervisor
Run, Fat Boy, Run (2007)
Directed by: David Schwimmer
Cinematography by: Richard Greatrex
Edited by: Michael Parker
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Visual Effects Supervisor
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Closure (2007)
Directed by: Dan Reed
Cinematography by: Chris Seager
Edited by: Ewa J. Lind
Visual Effects Supervisor
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Visual Effects Supervisor
Severance (2006)
Directed by: Christopher Smith
Cinematography by: Ed Wild
Edited by: Stuart Gazzard
Cameras: Sony HDW-F900 Camera
Visual Effects Producer
Tirante el Blanco (2006)
Directed by: Vicente Aranda
Cinematography by: José Luis Alcaine
Edited by: Teresa Font
Visual Effects Producer: Men From Mars
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Visual Effects Supervisor
Archangel (2005)
Directed by: Jon Jones
Cinematography by: Chris Seager
Edited by: Sue Wyatt
Cameras: ARRI Cameras
Visual Effects Supervisor
The Girl in the Café (2005)
Directed by: David Yates
Cinematography by: Chris Seager
Edited by: Mark Day
Visual Effects Supervisor: Men-From-Mars
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Visual Effects Supervisor
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Special Effects, Visual Effects Supervisor
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Visual Effects Producer
Tooth (2004)
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Visual Effects Supervisor
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Visual Effects Supervisor
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Visual Effects Supervisor: Men From Mars
The Heart of Me (2002)
Directed by: Thaddeus O'Sullivan
Cinematography by: Gyula Pados
Edited by: Alex Mackie
Visual Effects Supervisor
Morvern Callar (2002)
Directed by: Lynne Ramsay
Cinematography by: Alwin H. Küchler
Edited by: Lucia Zucchetti
Cameras: Moviecam Compact Camera
Visual Effects Supervisor
Taliesin Jones (2000)
Directed by: Martin Duffy
Cinematography by: Tony Imi
Edited by: Jonathan Rudd
