Sound Effects Editor
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Sound Effects Editor
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Foley Editor
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Sound Effects Editor
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Sound Effects Editor
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Additional Sound Designer
Fishing Without Nets (2014)
Directed by: Cutter Hodierne
Cinematography by: Alex Disenhof
Cameras: Red Epic Camera, Red Scarlet Camera
Additional Voices
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Sound Design And Sound Effects Editor
Beasts of the Southern Wild (2012)
Directed by: Benh Zeitlin
Cinematography by: Ben Richardson
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Sound Effects Editor
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Assistant Sound Designer
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Assistant Sound Designer
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Sound Services
Toy Story 3 (2010)
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Additional Sound Design
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Additional Production Effects Editing
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Additional Dialogue Recordist, Sound Effects Editor
The Incredibles (2004)
Directed by: Brad Bird
Edited by: Stephen Schaffer
Additional Dialogue Recordist / Sound Effects Editor: Skywalker Sound
Finding Nemo (2003)
Edited by: David Ian Salter
