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Cinésyl, France | 24 Titles

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Pop Redemption (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel

Starring | Julien Doré, Grégory Gadebois, Jonathan Cohen, Yacine Belhousse

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The French Minister (2013)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne

Starring | Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup, Bruno Raffaelli

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

La Vénus à la fourrure (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier

Starring | Emmanuelle Seigner, Mathieu Amalric

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

L’écume des jours (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 94 Minutes

Directed by | Michel Gondry | Cinematography by | Christophe Beaucarne | Editing by | Marie-Charlotte Moreau

Starring | Romain Duris, Audrey Tautou, Gad Elmaleh, Omar Sy

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mais qui a re-tué Pamela Rose? (2012)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni

Starring | Kad Merad, Olivier Baroux, Omar Sy, Laurent Lafitte

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Cloclo (2012)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan

Starring | Jérémie Renier, Benoît Magimel, Monica Scattini, Sabrina Seyvecou

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Comme un lion (2012)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager

Starring | Mytri Attal, Marc Barbé, Jean-François Stévenin, Anne Coesens

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Les gamins (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési

Starring | Alain Chabat, Max Boublil, Sandrine Kiberlain, Mélanie Bernier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

En solitaire (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange

Starring | François Cluzet, Samy Seghir, Virginie Efira, Guillaume Canet

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Dans la cour (2014)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck

Starring | Catherine Deneuve, Gustave Kervern, Féodor Atkine, Pio Marmaï

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Cornouaille (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Le Ny | Cinematography by | Jean-Marc Fabre | Editing by | Guerric Catala

Starring | Vanessa Paradis, Samuel Le Bihan, Jonathan Zaccaï, Laurent Stocker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

10 jours en or (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie

Starring | Franck Dubosc, Claude Rich, Marie Kremer, Mathis Touré

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bowling (2012)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois

Starring | Catherine Frot, Mathilde Seigner, Firmine Richard, Laurence Arné

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Day of the Falcon (2011)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid

Starring | Tahar Rahim, Antonio Banderas, Mark Strong, Freida Pinto

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Requiem pour une tueuse (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Jérôme Le Gris | Cinematography by | Antoine Monod | Editing by | Claire Fieschi

Starring | Mélanie Laurent, Clovis Cornillac, Tchéky Karyo, Xavier Gallais

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

On ne choisit pas sa famille (2011)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel

Starring | Christian Clavier, Jean Reno, Muriel Robin, Héléna Noguerra

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Paris-Manhattan (2012)

Motion Picture | 2D | Color | 2.39:1 | 77 Minutes

Directed by | Sophie Lellouche | Cinematography by | Laurent Machuel | Editing by | Monica Coleman

Starring | Alice Taglioni, Patrick Bruel, Marine Delterme, Michel Aumont

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

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