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Cinevex Film Laboratories, Australia | 5 Titles

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Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Romeo + Juliet (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock

Starring | Leonardo DiCaprio, Claire Danes, John Leguizamo, Harold Perrineau

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

Lake Mungo (2008)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Lake Mungo | ShotOnWhat?

Directed by | Joel Anderson | Cinematography by | John Brawley | Editing by | Bill Murphy

Starring | Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera, Panasonic AG-HVX200 Camera

Gen-X Cops 2: Metal Mayhem (2000)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Benny Chan | Cinematography by | Anthony Pun | Editing by | John Burridge, Ka-Fai Cheung

Starring | Mark Hicks, Paul Rudd, Edison Chen, Stephen Fung

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Salem’s Lot (2004)

Miniseries | 2D | Color | 1.78:1 (16x9) | 181 Minutes

| Cinematography by | Ben Nott | Editing by | Robert A. Ferretti

Starring | Rob Lowe, Andre Braugher, Donald Sutherland, Samantha Mathis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

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