Editing Method » Non Linear Editing

Non Linear Editing | 161 Titles

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A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

The Journey (2002)

Motion Picture | 2D | 2K Project | Color | 2.35:1 | 97 Minutes

Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness

Starring | Sona Tatoyan, Varduhi Varderesyan, Tigran Nersesyan, Anoush Stepanyan

Cameras | Sony HDW-F900 Camera

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Pulp Fiction (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis

Cameras | Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

The Passion of the Christ (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright

Starring | Jim Caviezel, Monica Bellucci, Maia Morgenstern, Christo Jivkov

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Wortels Uit Blik (2022)

Short Film | 2D | 4K Project | Color | 2.39:1 | 15 Minutes

Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Julius Appel, Michael Tiedtke, Frida Heijmen

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Taylor Swift: The Eras Tour (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Sam Wrench | Editing by | Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Dom Whitworth, Mark 'Reg' Wrench

Starring | Taylor Swift, Mike Meadows, Max Bernstein

Le militaire (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski

Starring | Laurent Lucas, Noémie Godin-Vigneau, Harry Standjofski

Cameras | Aaton XTR Prod Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Een Rivier om te Bevriezen (2023)

Short Film | 2D | 6K Project | Color | 1.66:1 | 18 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Jun Jun Liang, Jenny Hsia, Aaron Wan

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Courage & Stupidity (2005)

Short Film | 2D | Color | 25 Minutes

Directed by | Darin Beckstead | Cinematography by | Brian Sullivan | Editing by | Nick Kougioulis

Starring | Todd Wall, Aaron Fiore, Tom Bitler

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Sar (2016)

Short Film | 2D | 2K Project, HD Project, UHD Project | Color | 1.78:1 (16x9) | 38 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Stanislava Beretova, Rajbir Singh Dhillon, Timur Enaliev

Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 163 Minutes

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Leap: Rise of the Beast (2011)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 75 Minutes

Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel

Starring | Benjamin Baker, Alexander J. Bonds, Matt Clark

Cameras | Canon EOS Rebel T2i Camera

Lenses | Canon EF-S 18-55mm f4 Lens

Christopher Roth (2010)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre

Starring | Joaquim de Almeida, Anna Galiena, Jessica Bonanni

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

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