Non Linear Editing | 70 Titles
Super Power Beat Down (2012)
Type | Web Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Marisha Ray,
Damian Beurer,
Aaron Schoenke
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
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Il ragazzo invisibile: Fratelli (2017)
Type | Motion Picture
Starring ~ Valeria Golino,
Silvia Busuioc,
Maurizio Lombardi
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione
Cameras | ARRI ALEXA XT Camera
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Roshtalivik (2016)
Type | Motion Picture
Running Time | 72 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Sid Augustyn,
Beckett Bahr,
Hauke Bahr
Directed by | Bruce W. Moore | Cinematography by | Bruce W. Moore | Editing by | Bruce W. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
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Primer (2004)
Country | USA
Type | Motion Picture
Running Time | 77 Minutes
Aspect Ratio | 1.85:1
Starring ~ Shane Carruth,
David Sullivan,
Casey Gooden
Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth
Cameras | ARRIFLEX 16SR Camera
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Postpartum (2016)
Type | Short Film
Running Time | 24 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1080 - (1.90:1) Capture Resolution
Starring ~ Danielle Harris,
Jenny Curtis,
Katie Beresford
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
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La Vida Loca: Based on a True Story (2012)
Country | USA
Type | Short Film
Running Time | 28 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Erick Montaño,
Daniel Rangel-Diaz,
Olivia Loza
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
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Red Son (2016)
Type | Short Film
Aspect Ratio | 2.39:1
Starring ~ Julián Valcárcel,
Diego Mout,
Alberto Tiérrez
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
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KOTAK: Rock N Love (2014)
Mulan Jameela feat. Mike Mohede: Tiada Kata (2016)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Nadira Adnan Feat. Al Ghazali: Cinta Datang Dan Pergi (2015)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Capsule (2015)
Country | UK
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution
Starring ~ Edmund Kingsley,
Lisa Greenwood,
David Wayman
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
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Wild for the Night (2015)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Starring ~ Tommy Flanagan,
R. Marcos Taylor,
James Maslow
Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien
Cameras | Red Epic Dragon Camera
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Mike Mohede: Kucinta Dirinya (2014)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Roaming (2013)
Country | Canada
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Starring ~ Rhys Bevan-John,
Christina Cuffari,
Cory Bowles
Directed by | Michael Ray Fox | Cinematography by | Kyle Cameron, Cam Erais | Editing by | Drew Wilson
Cameras | Red One Camera
Lenses | Red Pro Prime Lenses
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The Thin Red Line (1998)
Country | USA
Type | Motion Picture
Running Time | 170 Minutes
Aspect Ratio | 2.39:1
Starring ~ Jim Caviezel,
Sean Penn,
Nick Nolte
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
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I, Timon (2017)
Country | Australia
Type | Motion Picture
Running Time | 78 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Phoebe Jakober,
David Macrae,
Bramwell Noah
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
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Odium (2013)
Country | Poland
Type | Motion Picture, Short Film
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.40:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Katarzyna Baurska,
Marek Kaliszuk,
Dariusz Sztajerwald
Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski
Cameras | Canon EOS-5D Mark III Camera
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The Box (2016)
Country | Australia
Type | Motion Picture, Short Film
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Kalila Welch,
Isaac Stewart,
Briony O'Donoghue
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
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California Forever (2011)
Country | USA
Type | Motion Picture, Television Series
Running Time | 75 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Ken Dickason,
Richard Doyle,
Rob Alan Martin
Directed by | David Vassar | Cinematography by | Christopher Tufty | Editing by | Christian White
Cameras | Red One MX Camera
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The Father and the Bear (2016)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Wil Love,
David DeLuise,
Dendrie Taylor
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
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