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Non Linear Editing | 106 Titles

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Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Church of Fears (2018)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 115 Minutes

Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner

Starring | David Eaton, Annabeth Furlow, Michael W. Green, Deborah Kay Hooker

Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera

Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Thin Red Line (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 170 Minutes

8MM (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens

Starring | Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Pi (1998)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 84 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch

Starring | Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart

Cameras | Aaton XTR Prod Camera, Bolex H16 Camera

Lenses | Angenieux Lenses, Canon Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Green Planet (2003)

Short Film | 2D | Color | 1.85:1 | 13 Minutes

Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman

Starring | Jared Cohn, Jonah Keel, Tyler Norman, Roy Parras

Cameras | Canon Scoopic 16 / 16M Camera

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Keepers of the Flame (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 36 Minutes

Directed by | Tyler Norman

Cameras | Sony HDR-FX1 Camera

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Il ragazzo invisibile: Fratelli (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione

Starring | Ludovico Girardello, Kseniya Rappoport, Galatéa Bellugi, Ivan Franek

Cameras | ARRI ALEXA XT Camera

Bad Boys II (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon

Starring | Will Smith, Martin Lawrence, Gabrielle Union, Jordi Mollà

Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Natural Born Killers (1994)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 118 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield

Cameras | Panavision Cameras

Lenses | Panavision Lenses

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andrew Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

Why Him? (2016)

Motion Picture | 2D | Color | 111 Minutes

Directed by | John Hamburg | Cinematography by | Kris Kachikis | Editing by | William Kerr

Starring | Zoey Deutch, James Franco, Tangie Ambrose, Cedric the Entertainer

Bright Red (2014)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) |

Directed by | David Barros | Cinematography by | David Barros | Editing by | Francisco Wanzeller

Starring | Manuel Amaro, Telmo Bento

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.35:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

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