Web Streaming | 92 Titles
Odium (2013)
Country | Poland
Type | Motion Picture, Short Film
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.40:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski
Cameras | Canon EOS-5D Mark III Camera
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The Box (2018)
Country | Australia
Type | Motion Picture, Short Film
Running Time | 56 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
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Lacuna (2016)
Country | Australia
Type | Motion Picture, Short Film
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart
Cameras | Canon EOS-1DX Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses
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Route 30 Three! (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
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Fuller House (2016)
Country | USA
Type | Television Series
Running Time | 30 Minutes
| Cinematography by | Gregg Heschong | Editing by | Richard Candib, Jim Mileymodified:
The Mutineer (2017)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.66:1
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
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Billions (2016)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher | Editing by | Marnee Meyer, Naomi Geraghty, Nick Houy, Joe Hobeck, Susan E. Morse, David Ray, Martina Nilgitsalanont, Shelby Siegel, Blake Gingerich, Aaron Kuhn, Joel Plotch, Anthony Muzzatti, Eric Spangmodified:
Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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World of Tomorrow (2015)
Country | USA
Type | Motion Picture, Short Film
Running Time | 17 Minutes
Directed by | Don Hertzfeldt | Cinematography by | Don Hertzfeldt | Editing by | Don Hertzfeldtmodified:
The Hunting Ground (2015)
Country | USA
Type | Documentary, Motion Picture
Running Time | 103 Minutes
Directed by | Kirby Dick | Cinematography by | Aaron Kopp, Thaddeus Wadleigh | Editing by | Douglas Blush, Derek Boonstra, Kim Robertsmodified:
Chau, Beyond the Lines (2015)
Country | USA, Vietnam
Type | Documentary, Motion Picture
Running Time | 34 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring |
Directed by | Courtney Marsh | Cinematography by | Courtney Marsh | Editing by | Courtney Marshmodified:
Last Day of Freedom (2015)
Country | USA
Type | Documentary, Motion Picture
Running Time | 32 Minutes
Starring |
Directed by | Dee Hibbert-Jones, Nomi Talisman | Cinematography by | Nomi Talisman | Editing by | Robert Arnold, Elizabeth Finlayson, Dee Hibbert-Jones, Nomi Talismanmodified:
The Look of Silence (2014)
Country | Denmark, Indonesia, Finland, Norway, UK, Israel, France, USA, Germany, Netherlands
Type | Documentary, Motion Picture
Running Time | 103 Minutes
Directed by | Joshua Oppenheimer | Cinematography by | Lars Skree | Editing by | Nils Pagh Andersenmodified:
What Happened, Miss Simone? (2015)
Country | USA
Type | Documentary, Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Liz Garbus | Cinematography by | Igor Martinovic | Editing by | Joshua L. Pearson
Cameras | Red Epic Camera
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Ship of Theseus (2012)
Country | India, Netherlands
Type | Motion Picture
Running Time | 140 Minutes
Directed by | Anand Gandhi | Cinematography by | Pankaj Kumar | Editing by | Sanyukta Kaza, Adesh Prasad, Satchit Puranik
Cameras | Canon EOS-1D Mark IV Camera
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Ordinary (2013)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Editing by | Timothy S. Quigley
Cameras | JVC Cameras
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Tears of Steel (2012)
Country | Netherlands
Type | Motion Picture, Short Film
Running Time | 12 Minutes
Aspect Ratio | 2.39:1
Directed by | Ian Hubert | Cinematography by | Joris Kerbosch
Cameras | Sony CineAlta F65 Camera
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Sicario (2015)
Country | USA, Mexico
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
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Spectre (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Triumph67 (2010)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker
Cameras | Sony PMW-EX3 Camera
Lenses | Canon FD Series Lenses
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