2.35:1 | 563 Titles
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
Rendition (2007)
Directed by | Gavin Hood | Cinematography by | Dion Beebe | Editing by | Megan Gill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Rite (2011)
Eagle Eye (2008)
Directed by | D.J. Caruso | Cinematography by | Dariusz Wolski | Editing by | Jim Page
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Uncertainty (2008)
Directed by | Scott McGehee, David Siegel | Cinematography by | Rain Li | Editing by | Paul Zucker
Cameras | ARRIFLEX D-20 Camera
The Hangover (2009)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Agent Cody Banks 2: Destination London (2004)
Directed by | Kevin Allen | Cinematography by | Denis Crossan | Editing by | Andrew MacRitchie
Cameras | Panavision Cameras
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Monsters (2010)
Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie
Cameras | Sony PMW-EX3 Camera
Confessions of a Shopaholic (2009)
Directed by | P.J. Hogan | Cinematography by | Jo Willems | Editing by | William Goldenberg
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Zombieland (2009)
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten
Godsend (2004)
Directed by | Nick Hamm | Cinematography by | Kramer Morgenthau | Editing by | Niven Howie, Steve Mirkovich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
17 Again (2009)
Directed by | Burr Steers | Cinematography by | Tim Suhrstedt | Editing by | Padraic McKinley
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Proof (2005)
Directed by | John Madden | Cinematography by | Alwin H. Küchler | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Sparkle (2012)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA Plus Camera
Hannibal (1959)
Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini
Reign Over Me (2007)
Directed by | Mike Binder | Cinematography by | Russ T. Alsobrook | Editing by | Steve Edwards, Jeremy Roush
Cameras | Panavision Genesis Camera
The House Bunny (2008)
Directed by | Fred Wolf | Cinematography by | Shelly Johnson | Editing by | Debra Chiate
Cameras | Panavision Genesis Camera
