Capture - Color Encoding » Rec. 709 Capture Color Encoding

Rec. 709 Capture Color Encoding | 33 Titles

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Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

The Legend of the White Ibex (2019)

Short Film | 2D | HD Project | Color | 41 Minutes

Directed by | Markus Otz | Cinematography by | Kurt Amzos

Starring | Marco Capodieci, Roberto Regazzoni, Amanda Rougier

Cameras | Sony PXW-FS5 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses

Dark Side of Football (2021)

Television Series | 2D | Color |

Directed by | Jason Sklaver | Editing by | Daniel Holechek

Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera

Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Gift from Above (2021)

Short | 2D | 4K Project | Color | 2.39:1 | 5 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook

Starring | Hollie Barrett, Marcus J. Smith, Keith Bonnell

Cameras | Blackmagic Production 4K Camera

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

Towards the light (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 20 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Uliya Abrosimova, Mariya Gavrilova, Jane Karlina

Cameras | Sony α7 Series Cameras

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Hegira (2018)

Short Film | 2D | 4K Project | Color | 9 Minutes

Directed by | William Blevins | Cinematography by | William Blevins | Editing by | William Blevins

Starring | Ike Eastwood, Toni Marie Perry, James Stone

Cameras | Sony PXW-FS5 Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

The Weed Whacker Massacre (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 12 Minutes

Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker

Starring | Meg Ansteensen, Nathan Darrison, Elizabeth A. Devine

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Think of Me (2015)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 8 Minutes

Directed by | Nicholas Connor | Cinematography by | Nicholas Connor | Editing by | Nicholas Connor

Starring | Nicholas Sheard, Katherine Quinn, Geraldine Connor

Cameras | Blackmagic Cinema Camera

Lenses | Samyang Lenses

Troubling Youth (2019)

Short Film | 2D | HD Project | Color | 2.39:1 |

Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi

Starring | Alex Belke, Isabella DeBrienne, Ricardo Grand-Pierre

Cameras | Nikon Cameras

Lenses | Nikon - Nikkor Lenses

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

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