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Panavision Camera Aperture  |  470 Titles

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All the Boys Love Mandy Lane   (2006)

  |    |    |    |  90 Minutes

He Said, She Said   (1991)

  |    |  Color  |    |  115 Minutes
Directed by | Ken Kwapis, Marisa Silver | Cinematography by | Stephen H. Burum | Editing by | Sidney Levin
Cameras |

Seven Years in Tibet   (1997)

  |    |  Color  |    |  136 Minutes

Must Love Dogs   (2005)

  |    |  Color  |    |  98 Minutes

The Mummy Returns   (2001)

  |    |  Color  |    |  130 Minutes

It’s Alive   (1974)

  |    |  Color  |    |  91 Minutes
Directed by | Larry Cohen | Cinematography by | Fenton Hamilton | Editing by | Peter Honess
Cameras |

The Chase   (1966)

  |    |  Color  |    |  134 Minutes
Directed by | Arthur Penn | Cinematography by | Joseph LaShelle | Editing by | Gene Milford
Cameras |

Deliverance   (1972)

  |    |  Color  |  ,   |  109 Minutes
Directed by | John Boorman | Cinematography by | Vilmos Zsigmond | Editing by | Tom Priestley
Cameras |

Tuck Everlasting   (2002)

  |    |  Color  |    |  90 Minutes

Blue Thunder   (1983)

  |    |  Color  |  ,   |  109 Minutes
Directed by | John Badham | Cinematography by | John A. Alonzo | Editing by | Edward M. Abroms, Frank Morriss
Cameras |

Casey’s Shadow   (1978)

  |    |  Color  |    |  117 Minutes
Directed by | Martin Ritt | Cinematography by | John A. Alonzo | Editing by | Sidney Levin
Cameras |

A Fine Mess   (1986)

  |    |  Color  |    |  90 Minutes

Kangaroo Jack   (2003)

  |    |  Color  |    |  89 Minutes

The Cheap Detective   (1978)

  |    |  Color  |    |  92 Minutes
Directed by | Robert Moore | Cinematography by | John A. Alonzo | Editing by | Sidney Levin, Michael A. Stevenson
Cameras |

The Straight Story   (1999)

  |    |    |    |  112 Minutes

Panic   (2000)

  |    |  Color  |    |  88 Minutes

Casualties of War   (1989)

  |    |  Color  |    |  113 Minutes

Force 10 from Navarone   (1978)

  |    |  Black and White, Color  |    |  118 Minutes
Directed by | Guy Hamilton | Cinematography by | Christopher Challis | Editing by | Raymond Poulton
Cameras |

Sudden Impact   (1983)

  |    |  Color  |    |  117 Minutes
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Joel Cox
Cameras |

White Sands   (1992)

  |    |  Color  |    |  101 Minutes
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