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Yves Saint Laurent (2014)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Jalil Lespert | Cinematography by | Thomas Hardmeier | Editing by | François Gédigier

Starring | Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Nezha (2014)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu

Starring | Jiaqi Li, Haofei Li, Jin Chen, Peng Xin

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Mai wei (2011)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park

Starring | Dong-Gun Jang, Joe Odagiri, Bingbing Fan, In-kwon Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mi-seu-teo Go (2013)

Motion Picture | 3D | Color | 1.85:1 | 132 Minutes

Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim

Starring | Dong-il Sung, Jiao Xu, Hee-won Kim, Kang-woo Kim

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Sinsegye (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon

Starring | Jung-jae Lee, Min-sik Choi, Jung-min Hwang, Sung-woong Park

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La danza de la realidad (2013)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux

Starring | Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Alejandro Jodorowsky

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Pop Redemption (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel

Starring | Julien Doré, Grégory Gadebois, Jonathan Cohen, Yacine Belhousse

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Né quelque part (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier

Starring | Tewfik Jallab, Jamel Debbouze, Fatsah Bouyahmed, Abdelkader Secteur

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Grigris (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo

Starring | Souleymane Démé, Anaïs Monory, Cyril Gueï, Marius Yelolo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

The French Minister (2013)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne

Starring | Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup, Bruno Raffaelli

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Un château en Italie (2013)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil

Starring | Valeria Bruni Tedeschi, Louis Garrel, Filippo Timi, Marisa Borini

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

9 mois ferme (2013)

Motion Picture | 2D | Color | 2.39:1 | 82 Minutes

Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel

Starring | Albert Dupontel, Sandrine Kiberlain, Nicolas Marié, Philippe Uchan

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La Vénus à la fourrure (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier

Starring | Emmanuelle Seigner, Mathieu Amalric

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Tirez la langue, mademoiselle (2013)

Motion Picture | 2D | Color | 1.66:1 | 102 Minutes

Directed by | Axelle Ropert | Cinematography by | Céline Bozon | Editing by | François Quiqueré

Starring | Cédric Kahn, Laurent Stocker, Louise Bourgoin, Paula Denis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Healing (2014)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar

Starring | Hugo Weaving, Don Hany, Xavier Samuel, Mark Leonard Winter

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens

The Reckoning (2014)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko

Starring | Luke Hemsworth, Viva Bianca, Hanna Mangan Lawrence, Jonathan LaPaglia

Cameras | ARRI ALEXA Camera, Red Epic Camera

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Xenia (2014)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos

Starring | Kostas Nikouli, Nikos Gelia, Yannis Stankoglou, Marisha Triantafyllidou

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens

Eden (2014)

Motion Picture | 2D | Color | 131 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier

Starring | Félix de Givry, Pauline Etienne, Vincent Macaigne, Hugo Conzelmann

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

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