2D | 5452 Titles
When We Were Kings (1996)
Directed by | Leon Gast | Cinematography by | Maryse Alberti, Paul Goldsmith, Kevin Keating, Albert Maysles, Roderick Young | Editing by | Leon Gast, Taylor Hackford, Jeffrey Kusama-Hinte, Keith Robinson
Tell the Truth and Run: George Seldes and the American Press (1996)
Directed by | Rick Goldsmith | Cinematography by | Stephen Lighthill, Vic Losick, Witt Monts, Will Parrinello | Editing by | Rick Goldsmith
Suzanne Farrell: Elusive Muse (1996)
Directed by | Anne Belle, Deborah Dickson | Cinematography by | Don Lenzer | Editing by | Deborah Dickson
Mandela (1996)
Directed by | Angus Gibson, Jo Menell | Cinematography by | Dewald Aukema, Peter Tischhauser | Editing by | Andy Keir
The Line King: The Al Hirschfeld Story (1996)
Directed by | Susan Warms Dryfoos | Cinematography by | Dick Blofson, Jeffrey Grunther | Editing by | Angelo Corrao
Angels and Insects (1995)
The Portrait of a Lady (1996)
Marvin’s Room (1996)
Secrets & Lies (1996)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ghosts of Mississippi (1996)
Fast 8 (2017)
Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Cheyenne Autumn (1964)
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
Exodus (1960)
Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler
Cameras | Super Panavision-70 Camera
The Big Fisherman (1959)
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax
Cameras | Super Panavision-70 Camera
Wolfgang (1997)
The Test (2015)
The Purple Onion (2015)
Directed by | Matt Szymanowski | Cinematography by | Bartosz Nalazek | Editing by | Matt Szymanowski
Cameras | Red Epic Camera
Freedom (2014)
Dough (2015)
Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis
Cameras | ARRI ALEXA Camera

























































